{"id":1103,"date":"2005-03-11T22:49:00","date_gmt":"2005-03-11T22:49:00","guid":{"rendered":"http:\/\/www.celesteh.com\/blog\/2005\/03\/11\/draft-rush-limbaug\/"},"modified":"2015-06-19T00:25:35","modified_gmt":"2015-06-18T23:25:35","slug":"draft-rush-limbaug","status":"publish","type":"post","link":"https:\/\/www.celesteh.com\/blog\/2005\/03\/11\/draft-rush-limbaug\/","title":{"rendered":"draft &#8211; rush limbaugh"},"content":{"rendered":"<p>Rush Limbaugh<\/p>\n<p>&nbsp;<\/p>\n<p>The<br \/>\nfirst pundit that I downloaded was Rush Limbaugh. His voice is not polished,<br \/>\nbut he&#8217;s been current for many years and is unfortunately not likely to go away<br \/>\nsoon.&nbsp; I downloaded some audio<br \/>\nfiles from Media Matters.&nbsp; His<br \/>\ncomments were what I was seeking, but I wasn&#8217;t sure what to do with them.&nbsp; I tried looping them in quick<br \/>\nsuccession, so that the same file would start to play and then another copy of<br \/>\nit would start to play only a few milliseconds later and then another one a few<br \/>\nmilliseconds after that, until there was a dense texture.&nbsp; This made a nice sound, something like<br \/>\na washing machine.&nbsp; I wanted to<br \/>\ncall it <i>Spin Cycle<\/i>.<br \/>\nThis technique seemed similar to Steve Reich&#8217;s audio loops in pieces such as <i>It\u2019s<br \/>\nGonna Rain<\/i>.&nbsp; However, the dense texture obscured<br \/>\nLimbaugh\u2019s words. I feel that the content of Limbaugh&#8217;s speech is fundamental<br \/>\nto exploring his meaning and the seductive lies of the right wing.&nbsp; However, all meaning was quickly lost<br \/>\nby my looping and the text was totally obscured. <\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I<br \/>\ngave up on Limbaugh and moved on to create <i>Coulter Shock<\/i>, returning to Limbaugh when I could no<br \/>\nlonger stand Coulter.<\/p>\n<p>&nbsp;<\/p>\n<p><i>Rush<br \/>\nto Excuse<\/i><\/p>\n<p>&nbsp;<\/p>\n<p>My<br \/>\nAnn Coulter piece had a proposed third section that I did not complete.&nbsp; This section was going to find the<br \/>\npitches of all the short grains of vocal sound that made up the last part of<br \/>\nthe piece.&nbsp; I used the program I<br \/>\nwrote for that instead with a clip of Limbaugh mocking, downplaying and<br \/>\nsometimes praising the torture of prisoners at American-run Abu Graib prison in<br \/>\nIraq.&nbsp; His statements were<br \/>\noutrageously offensive and included imitating the barking of the dogs used to<br \/>\nterrorize and bite prisoners, calling officers &quot;orrifcers&quot;, etc.&nbsp; <\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I<br \/>\nhad an idea that I would play equally-sized short grains of text in a loop<br \/>\nwhile computing their pitch material.&nbsp;<br \/>\nAs the pitch of a grain became known, a pitched sound would replace the<br \/>\noriginal audio content.&nbsp; Then,<br \/>\nafter all the pitches were known, the program would then progressively \u201cforget\u201d<br \/>\npitch content until the grains returned to their original text state.&nbsp; Meanwhile, like in the second half of<br \/>\nmy Coulter piece, I would gradually reshuffle the order of the grains.&nbsp; My experiments with these methods were<br \/>\nunsatisfying.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Then,<br \/>\nwhile I was working on it, Alvin Lucier played Paul De Marinis\u2019 work <i>Odd<br \/>\nEvening<\/i> for his<br \/>\ncomposition seminar class.&nbsp; I told<br \/>\nthe class that Marinis had already written the piece I was trying to write and<br \/>\nhad gotten better than I was going to.&nbsp;<br \/>\nAlvin told me to write the piece anyway, so I carried on.&nbsp; <\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I<br \/>\nnoticed that shuffling the grains made their meaning disappear too quickly, so<br \/>\nI mixed them with longer phrases, which were automatically discovered, just as<br \/>\nin <i>Coulter Shock<\/i>.&nbsp; I decided to change the grain length on<br \/>\neach pass through the loop.&nbsp; I<br \/>\nthink this is a good compromise between the musical interest of hearing the<br \/>\npitch of spoken voice and political interest of hearing content.&nbsp; Also, like with Bush\u2019s speech, the<br \/>\nrepetition of phrases makes their meaning more evident.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The<br \/>\nspeech starts with an introduction of the just the pitches of the last 20<br \/>\ngrains of the clip.&nbsp; Then it plays<br \/>\nall the grains of the clip, in order, with both the pitch and the text<br \/>\nmaterial.&nbsp; I then scramble the<br \/>\ngrains and play them back mixed up with some longer phrases from the start of<br \/>\nthe clip.&nbsp; Then I double the size<br \/>\nof the grains and again play them back in random order with pitch and voice,<br \/>\nintermixed with longer phrases that come from a bit further into the clip.&nbsp; I repeat this process until the grains<br \/>\nare long enough that words like \u201cfear\u201d can be clearly heard.&nbsp; The piece ends with Rush\u2019s mocking<br \/>\nquestion, \u201cIs that allowed in the Geneva Conventions?\u201d<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I<br \/>\nhave submitted this piece to numerous festivals, but it was rejected.&nbsp; Surprisingly, Limbaugh\u2019s comments<br \/>\nfailed to generate much controversy just as systematic torture of prisoners<br \/>\nfailed to be reported outside of the Pacifica Network and the left wing<br \/>\nblogosphere.&nbsp; I worried the piece<br \/>\nwould slip into irrelevance before anyone ever heard it.&nbsp; I posted a realization of it, my<br \/>\nCoulter piece and my Bush State of the Union piece to my website under a<br \/>\nCreative Commons license that makes it possible for people to download, share,<br \/>\ncommercially use and remix the piece as long as they include attribution. The<br \/>\ncommercial value of these pieces to me is near negligible, especially as the<br \/>\ncontroversies fade into the forgotten past.&nbsp; I would rather have people hear them than not hear<br \/>\nthem.&nbsp; Unfortunately, I have not<br \/>\nhad time to adequately promote my downloads.&nbsp; A log search shows that it has been downloaded by one person<br \/>\nunknown to me in the United States and one in Britain.&nbsp; As far as I know, it has never before<br \/>\nbeen performed in public.&nbsp; In the<br \/>\nfuture, I want to launch a podcast of my music, which I hope will garner more<br \/>\nlisteners.<br \/>\nThis post is not Creative Commons.  It is Copyright 2005 Celeste Hutchins.  All rights reserved.<\/p>\n<p>My thesis is so strange<br \/>\nTag: <a href=\"http:\/\/technorati.com\/tag\/Rush+Limbaugh\" rel=\"tag\">Rush Limbaugh<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rush Limbaugh &nbsp; The first pundit that I downloaded was Rush Limbaugh. His voice is not polished, but he&#8217;s been current for many years and is unfortunately not likely to go away soon.&nbsp; I downloaded some audio files from Media Matters.&nbsp; His comments were what I was seeking, but I wasn&#8217;t sure what to do &hellip; <a href=\"https:\/\/www.celesteh.com\/blog\/2005\/03\/11\/draft-rush-limbaug\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">draft &#8211; rush limbaugh<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":4,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-1103","post","type-post","status-publish","format-standard","hentry","category-uncategorised"],"_links":{"self":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts\/1103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/comments?post=1103"}],"version-history":[{"count":1,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts\/1103\/revisions"}],"predecessor-version":[{"id":3353,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts\/1103\/revisions\/3353"}],"wp:attachment":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/media?parent=1103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/categories?post=1103"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/tags?post=1103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}