{"id":1105,"date":"2005-03-11T19:57:00","date_gmt":"2005-03-11T19:57:00","guid":{"rendered":"http:\/\/www.celesteh.com\/blog\/2005\/03\/11\/cincinnati\/"},"modified":"2015-06-19T00:25:35","modified_gmt":"2015-06-18T23:25:35","slug":"cincinnati","status":"publish","type":"post","link":"https:\/\/www.celesteh.com\/blog\/2005\/03\/11\/cincinnati\/","title":{"rendered":"<i>Cincinnati<\/i>"},"content":{"rendered":"<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; One<br \/>\nof the most successful pieces of text-based political music is Paul De Marinis\u2019<br \/>\n<i>Cincinnati<\/i>.&nbsp; In this piece, a computerized voice<br \/>\nsummarizes facts about the meat industry.&nbsp;<br \/>\nIt speaks about the killing animals and the blood of those animals.&nbsp; It starts with the difficulties of<br \/>\nslaughterhouse mechanization of animal killing and goes on to the history of<br \/>\ndifferent cultures in regards to bleeding a carcass or keeping the blood within<br \/>\nit.&nbsp; The content is entirely<br \/>\nfactual and delivered in the emotionless voice of a computer.&nbsp; Near the start, it acknowledges a<br \/>\ndiscomfort.&nbsp; \u201cBlood<br \/>\nterrifies.\u201d&nbsp; However, it ends with<br \/>\nan emotionless set of observations \u201dThe death cries and the mechanical noises<br \/>\nare almost impossible to disentangle.&nbsp;<br \/>\nNeither can the eye take in what it sees.&nbsp; On the one side of the stickers are the living, on the other<br \/>\nside, the slaughtered . . . in 20 seconds on the average, the hog is supposed<br \/>\nto have bled to death.&nbsp; It happens<br \/>\nso quickly and is so smooth a part of the production process that emotion is<br \/>\nbarely stirred.\u201d<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; What<br \/>\nmakes this piece so wonderful is the difficulty of understanding the<br \/>\ncomputerized voice.&nbsp; The listener<br \/>\nhas to listen closely and struggle for meaning and then when she deciphers it,<br \/>\nshe is horrified.&nbsp; The friendly<br \/>\nexperiencer then dances between willful misunderstanding and grasping for<br \/>\nmeaning.&nbsp; <\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The<br \/>\nlack of emotional content makes this piece almost sinister.&nbsp; The de-humanized, yet non-mechanized<br \/>\nkilling of animals is reflected by the flat computer voice.&nbsp; The goal of this piece is not to<br \/>\noutrage or to make everyone become a vegetarian, but to cause people to<br \/>\ncontemplate the animal slaughter in which they indirectly participate.&nbsp; The blood terrifies, but the cold<br \/>\nsemi-mechanization perhaps is more terrifying.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Adding<br \/>\nto the effectiveness of this piece is the track order on the album <i>Music as<br \/>\na Second Language<\/i>.&nbsp; Immediately following <i>Cincinnati<\/i> is another piece <i>The Power of<br \/>\nSuggestion<\/i>, which uses<br \/>\nthe same computerized voice.&nbsp;<br \/>\nInstead of talking about animal death, the voice goes through a<br \/>\nhypnotist script.&nbsp; Placed over<br \/>\nrelatively fast dissonant melodies, the voice urges us to completely relax and<br \/>\nfeel all tension drain from us.&nbsp;<br \/>\nAfter hearing the same voice describe hanging animals upside down as<br \/>\ndeath takes hold and blood flows from them, my immediate response to hearing<br \/>\nthat voice telling me to relax is to do the opposite.&nbsp; I find all my muscles clenching up as the piece purportedly<br \/>\ntalks about relaxation but seems to actually be describing death.&nbsp; This may cause listeners to<br \/>\nempathetically relate to the experiences of animals in the slaughterhouse.&nbsp; Much science fiction, like <i>The<br \/>\nMatrix,<\/i> exploits our<br \/>\ndiscomfort with the meat industry and our fear of being subjected to it as a<br \/>\nproduct and not a consumer.&nbsp;<br \/>\nMarinis seems to be tapping into this same meme in <i>the Power of<br \/>\nSuggestion<\/i>.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; While<br \/>\nthis combination of pieces will probably not cause anyone to foreswear<br \/>\ncheeseburgers, it does force people to contemplate the sources of their<br \/>\nfood.&nbsp; Awareness is the first step<br \/>\ntowards change.<br \/>\nThis post is not Creative Commons.  It is Copyright 2005 Celeste Hutchins All Rights Reserved.<br \/>\nTag: <a href=\"http:\/\/technorati.com\/tag\/Celesteh\" rel=\"tag\">Celesteh<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; One of the most successful pieces of text-based political music is Paul De Marinis\u2019 Cincinnati.&nbsp; In this piece, a computerized voice summarizes facts about the meat industry.&nbsp; It speaks about the killing animals and the blood of those animals.&nbsp; It starts with the difficulties of slaughterhouse mechanization of animal killing and goes on to &hellip; <a href=\"https:\/\/www.celesteh.com\/blog\/2005\/03\/11\/cincinnati\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\"><i>Cincinnati<\/i><\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":4,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-1105","post","type-post","status-publish","format-standard","hentry","category-uncategorised"],"_links":{"self":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts\/1105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/comments?post=1105"}],"version-history":[{"count":1,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts\/1105\/revisions"}],"predecessor-version":[{"id":3355,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts\/1105\/revisions\/3355"}],"wp:attachment":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/media?parent=1105"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/categories?post=1105"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/tags?post=1105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}