{"id":1236,"date":"2004-11-15T07:19:00","date_gmt":"2004-11-15T07:19:00","guid":{"rendered":"http:\/\/www.celesteh.com\/blog\/2004\/11\/15\/critical-theory-music\/"},"modified":"2015-06-19T00:25:51","modified_gmt":"2015-06-18T23:25:51","slug":"critical-theory-music","status":"publish","type":"post","link":"https:\/\/www.celesteh.com\/blog\/2004\/11\/15\/critical-theory-music\/","title":{"rendered":"Critical Theory + Music = ?"},"content":{"rendered":"<p>I have a <a href=\"http:\/\/www.celesteh.com\/music\/wesleyan\/transforming-patriotism.mid\" target=\"_top\">draft of my percussion and vocal pice<\/a>.  Except that it&#8217;s 100% glockenspiel.  I have a vague idea of giving Anne (the vocalist) a text about how binary oppositions are a masculinist construct that imply comparison and otherness.<br \/>\nAnd how instead of trying to create an opposition, i&#8217;m trying to create a transformation.<br \/>\nHowever, Cixous, the french crit-theorist i want to cite is not out of copyright.  Also, it could be problematic to deconstruct the piece in the peice.  Although it would be very post-modern.<\/p>\n<div class=\"powerpress_player\" id=\"powerpress_player_3202\"><a href=\"http:\/\/www.celesteh.com\/music\/wesleyan\/transforming-patriotism.mid\" title=\"Play\" target=\"_blank\" style=\"position: relative;\"><img decoding=\"async\" data-src=\"https:\/\/www.celesteh.com\/blog\/wp-content\/plugins\/powerpress\/black.png\" title=\"Play\" alt=\"Play\" style=\"--smush-placeholder-width: 1px; --smush-placeholder-aspect-ratio: 1\/1;width: 400px; height: 225px;\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><img decoding=\"async\" data-src=\"https:\/\/www.celesteh.com\/blog\/wp-content\/plugins\/powerpress\/play_video.png\" title=\"Play\" alt=\"Play\" style=\"--smush-placeholder-width: 60px; --smush-placeholder-aspect-ratio: 60\/60;position: absolute; bottom:82px; left:170px; border:0;\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><\/a><\/div>\n<p class=\"powerpress_links powerpress_links_mid\" style=\"margin-bottom: 1px !important;\">Podcast: <a href=\"http:\/\/www.celesteh.com\/music\/wesleyan\/transforming-patriotism.mid\" class=\"powerpress_link_pinw\" target=\"_blank\" title=\"Play in new window\" onclick=\"return powerpress_pinw('https:\/\/www.celesteh.com\/blog\/?powerpress_pinw=1236-podcast');\" rel=\"nofollow\">Play in new window<\/a> | <a href=\"http:\/\/www.celesteh.com\/music\/wesleyan\/transforming-patriotism.mid\" class=\"powerpress_link_d\" title=\"Download\" rel=\"nofollow\" download=\"transforming-patriotism.mid\">Download<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>I have a draft of my percussion and vocal pice. Except that it&#8217;s 100% glockenspiel. I have a vague idea of giving Anne (the vocalist) a text about how binary oppositions are a masculinist construct that imply comparison and otherness. And how instead of trying to create an opposition, i&#8217;m trying to create a transformation. &hellip; <a href=\"https:\/\/www.celesteh.com\/blog\/2004\/11\/15\/critical-theory-music\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Critical Theory + Music = ?<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":4,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-1236","post","type-post","status-publish","format-standard","hentry","category-uncategorised"],"_links":{"self":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts\/1236","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/comments?post=1236"}],"version-history":[{"count":1,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts\/1236\/revisions"}],"predecessor-version":[{"id":3486,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts\/1236\/revisions\/3486"}],"wp:attachment":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/media?parent=1236"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/categories?post=1236"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/tags?post=1236"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}