{"id":1672,"date":"2003-11-05T02:48:00","date_gmt":"2003-11-05T02:48:00","guid":{"rendered":"http:\/\/www.celesteh.com\/blog\/2003\/11\/05\/world-music-assignment-listen-to\/"},"modified":"2015-06-19T00:26:42","modified_gmt":"2015-06-18T23:26:42","slug":"world-music-assignment-listen-to","status":"publish","type":"post","link":"https:\/\/www.celesteh.com\/blog\/2003\/11\/05\/world-music-assignment-listen-to\/","title":{"rendered":""},"content":{"rendered":"<h3>World Music Assignment<\/h3>\n<h4>Listen to &#8220;composed world music CD&#8221; and report back<\/h4>\n<p>Celeste Hutchins<\/p>\n<p>Proseminar<\/p>\n<p>World Music Paper<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; For<br \/>\nmy World Music listening, I chose <i>La Koro Sutro<\/i> by Lou Harrison.&nbsp; I picked this piece because I thought<br \/>\nit was obviously an example of &quot;composed world music&quot; and because I&#8217;m<br \/>\nquite fond of it.&nbsp; Now that I&#8217;m<br \/>\nexamining it more critically, however, I&#8217;m not as certain that it is an example<br \/>\nof world music.&nbsp; <\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <i>La<br \/>\nKoro Sutro<\/i> is<br \/>\ncomposed for 100 voice chorus, harp, organ and the &quot;American<br \/>\nGamelan.&quot;&nbsp; The American<br \/>\nGamelan is not actually a gamelan, but rather a metalphone percussion<br \/>\ninstrument built out of old oxygen tanks and other scrap metal by Bill<br \/>\nColvig.&nbsp; It has its name only<br \/>\nbecause it sounds like a gamelan, but otherwise has little connection to the<br \/>\nreal thing.&nbsp; This may be<br \/>\nproblematic if this piece is to be classified as world music, since the<br \/>\ninstrumentation is domestic.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The<br \/>\nlanguage of the piece and the text is very definitely international.&nbsp; It is an Esperanto (<i>La Internacia<br \/>\nLingvo<\/i>)<br \/>\ntranslation of the Buddhist text, <i>the Heart Sutra<\/i>. The CD helpfully comes with the<br \/>\nwords in Esperanto and a side-by-side English translation.&nbsp; It was also premiered to an international<br \/>\naudience.&nbsp; The notes with the CD<br \/>\nexplain, &quot;<i>La Koro Sutro<\/i> was first performed for an international gathering of<br \/>\nEsperantists in San Francisco on August 11, 1972.&quot;&nbsp; The Harrison biography notes that this<br \/>\nperformance took place shortly after a <i>Universala Kongreso<\/i> in Portland, Oregon.&nbsp; While certainly not every piece of <i>Esperanta<br \/>\n<\/i>music ever<br \/>\nwritten is automatically world music, this one, because of the nature of the<br \/>\ntranslation, should be counted as a world music text.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The<br \/>\nsound of the piece also sounds like world music.&nbsp; The tuning is very obviously not 12-toned equally<br \/>\ntempered.&nbsp; This is especially<br \/>\nevident in the American Gamelan sections.&nbsp;<br \/>\nThe other percussion also has a &quot;world music&quot; feel to it.&nbsp; The singing also sounds somewhat non-western.&nbsp; It is reminiscent of some chant music,<br \/>\nespecially when it has longish melismas on a single vowel.&nbsp; This may be because Harrison studied<br \/>\nand found inspiration from early music.&nbsp;<br \/>\nIt may also be an imitation of a singing style found along the Pacific<br \/>\nRim.&nbsp; Based on the sounds alone, I<br \/>\nwould certainly consider this piece to be world music.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The<br \/>\npackaging of the CD, however, does not convey world music.&nbsp; The cover graphic pictures some grass<br \/>\nand a large anthropomorphized flower with a goatee.&nbsp; It is smiling at an insect that also has a goatee and three<br \/>\nhearts float between them.&nbsp; Eight<br \/>\nnotes in various orientations dot the background.&nbsp; It says, in large text <i>La Koro Sutro<\/i> on the right hand side.&nbsp; Around the edges are names of people<br \/>\ninvolved in the project.&nbsp; Also on<br \/>\nthe same disk are <i>Varied Trio<\/i>, performed by the Abel, Steinberg, Winant Trio and <i>Suite<br \/>\nfor Violin and American Gamelan<\/i>, featuring David Abel on violin.&nbsp; The disk is published by New Albion<br \/>\nRecords. <\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; All<br \/>\nof the performers, packaging, Pacific Rim aesthetics and even the record label<br \/>\nare so very California San Francisco Bay Area, that they make me homesick.&nbsp; Of course, while I lived in California,<br \/>\nI did not think of this as purely California music, I thought of it as world<br \/>\nmusic.&nbsp; Lou Harrison was known not<br \/>\nonly as a California composer, but more so as a world music composer.&nbsp; I did not think of his music and especially<br \/>\nthis piece, as indigenous, but looking at it now, it very obviously was.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; In<br \/>\nconclusion, while this CD is very obviously a California phenomenon, I still<br \/>\nwould count it as an example of composed world music.&nbsp; The international Esperanto community is eager to embrace it<br \/>\n&#8211; the best Esperanto vocal work ever written &#8211; as coming from <i>Esperantio<\/i>, and the music synthesizes so<br \/>\nmany ideas and cultures that I would count it as a world phenomenon.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; (<i>Esperantio<\/i> is the name of a fictional<br \/>\nEsperanto homeland.&nbsp; It is<br \/>\nessentially international in nature.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>World Music Assignment Listen to &#8220;composed world music CD&#8221; and report back Celeste Hutchins Proseminar World Music Paper &nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; For my World Music listening, I chose La Koro Sutro by Lou Harrison.&nbsp; I picked this piece because I thought it was obviously an example of &quot;composed world music&quot; and because I&#8217;m quite fond of &hellip; <a href=\"https:\/\/www.celesteh.com\/blog\/2003\/11\/05\/world-music-assignment-listen-to\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\"><\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":4,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":""},"categories":[1],"tags":[203,76,269,11],"class_list":["post-1672","post","type-post","status-publish","format-standard","hentry","category-uncategorised","tag-academic","tag-celesteh","tag-esperanto","tag-music"],"_links":{"self":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts\/1672","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/comments?post=1672"}],"version-history":[{"count":1,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts\/1672\/revisions"}],"predecessor-version":[{"id":3924,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts\/1672\/revisions\/3924"}],"wp:attachment":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/media?parent=1672"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/categories?post=1672"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/tags?post=1672"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}