{"id":1932,"date":"2003-02-08T00:24:00","date_gmt":"2003-02-08T00:24:00","guid":{"rendered":"http:\/\/www.celesteh.com\/blog\/2003\/02\/08\/another-call-for-scores-this-one-mig\/"},"modified":"2015-06-19T00:27:17","modified_gmt":"2015-06-18T23:27:17","slug":"another-call-for-scores-this-one-mig","status":"publish","type":"post","link":"https:\/\/www.celesteh.com\/blog\/2003\/02\/08\/another-call-for-scores-this-one-mig\/","title":{"rendered":""},"content":{"rendered":"<h3>Another call for scores<\/h3>\n<p>(this one might have an Esperanto angle)<br \/>\nGreetings from Singapore! ICMC2003 will take place in this Lion City from<br \/>\nSeptember 29 to October 4, 2003. The deadline for music and paper<br \/>\nsubmissions is March 1, 2003.<\/p>\n<p>While in the last century we had experienced the benefits of the narrowing<br \/>\nof gaps in worldwide communication and the bringing together of world<br \/>\ncultures, one of the unexpected results of the process was the creation of<br \/>\nbarriers. For some, the rapidly changing landscape presented too fast a<br \/>\nchange in well-established traditions and cultures, and they who live in<br \/>\nthese societies set up boundaries to stem the erosion of their way of<br \/>\nlife. Though there are valid reasons to believe so, it need not be the<br \/>\ncase, especially in music.<\/p>\n<p>This year&#8217;s conference theme, Boundaryless Music, celebrates music without<br \/>\nbarriers of cultures or genres, without the prejudices of the traditional<br \/>\nor the contemporary perspective, without discrimination against the old or<br \/>\nthe young. We cannot totally remove all barriers, but we can make them<br \/>\nmore permeable to the flow of information, ideas, resources and energy.<br \/>\nCelebrate an open and sharing environment, experiment with new processes<br \/>\nand technologies, and cultivate new approaches to learning and teaching;<br \/>\nall of which involve interconnected processes instead of isolated ideals.<br \/>\nBoundaryless Music invites all to celebrate a common vision and an<br \/>\nencompassing human spirit in music making.<\/p>\n<h4>Call for Music<\/h4>\n<p>ICMC 2003 invites music submissions of digital audio, interactive,<br \/>\nmultimedia and installation works for presentation in Singapore. Works<br \/>\nrelated to the conference theme of Boundaryless Music are particularly<br \/>\nencouraged, which might include multi-cultural interfaces, performance<br \/>\ninterfaces, spatial strategies or aesthetic approaches.<\/p>\n<p>Performance forces include a piano\/violin duo, chorus (SATB), and<br \/>\npercussion ensemble as well as Chinese, Indian, and Gamelan ensembles.<\/p>\n<p>Visit <a href=\"http:\/\/www.nus.edu.sg\/cfa\/UCC\/index.html\" target=\"_TOP\">http:\/\/www.nus.edu.sg\/cfa\/UCC\/index.html<\/a> for more on the performance<br \/>\nhalls.<br \/>\nThe spaces available include the Theatre for afternoon concerts and the<br \/>\nHall for evening concerts. Installation works may reside in the foyers<br \/>\n(2nd and 3rd floors).<\/p>\n<h4>Submission Formats Accepted<\/h4>\n<p>For Audio: CD, DVD, ADAT, DAT<br \/>\nElectronic submission of digital audio files (44.1 KHz 16bit format; aiff<br \/>\nor wav) will be available. Please visit www.icmc2003.org after January 26,<br \/>\n2003 for submission procedure.<\/p>\n<p>For Audio\/Video: VHS, SVHS, DVD<br \/>\nIf the work is for instruments and digital audio, please include a score<br \/>\nof the instrumental part, a recording of the electronics, and\/or, a<br \/>\nrecording of a performance. For works involving live electronics, you may<br \/>\ninclude documentation such as a software patch or description.<\/p>\n<p>Music Papers: A music paper demonstration proposal about the ideas and<br \/>\ntechniques behind the composition may be submitted accompanying a music<br \/>\nsubmission.<\/p>\n<p>Send materials to:<br \/>\nICMC2003  Music<br \/>\nSingapore Conservatory of Music<br \/>\nNational University of Singapore<br \/>\nBlk ADM, Level 3<br \/>\n10 Kent Ridge Crescent<br \/>\nSingapore<\/p>\n<h4>Call for Papers<\/h4>\n<p>ICMC 2003 invites paper, poster and demo submissions on artistic,<br \/>\nmusicological, scientific, educational and technological aspects of<br \/>\ncomputer music. Submissions related to the conference theme, Boundaryless<br \/>\nMusic, are most welcomed. Also related to the conference theme is a<br \/>\nspecial paper session titled, Education on Music and Technology, which<br \/>\nwelcomes contributions from all.<\/p>\n<p>Electronic submission of papers will be available. Please visit<br \/>\n<a href=\"http:\/\/www.icmc2003.org\" target=\"_TOP\">http:\/\/www.icmc2003.org<\/a> after January 26, 2003 for submission procedure.<br \/>\nIMPORTANT: Please note that all submissions to this years conference<br \/>\nshould be photo-ready for publication. All papers should be submitted as<br \/>\npostscript or pdf files. The names of authors should be reflected on the<br \/>\npaper.<\/p>\n<p>Send materials to:<br \/>\nICMC2003  Papers<br \/>\nSingapore Conservatory of Music<br \/>\nNational University of Singapore<br \/>\nBlk ADM, Level 3<br \/>\n10 Kent Ridge Crescent<br \/>\nSingapore 119260<\/p>\n<p>Deadline (postmark) March 1, 2003<br \/>\nAll materials MUST be received by March 7, 2003.<\/p>\n<p>Website will be available at <a href=\"http:\/\/www.icmc2003.org\" target=\"_TOP\">http:\/\/www.icmc2003.org<\/a> after January 26, 2003.<br \/>\nPlease send enquiries to enquiries@icmc2003.org.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Another call for scores (this one might have an Esperanto angle) Greetings from Singapore! ICMC2003 will take place in this Lion City from September 29 to October 4, 2003. The deadline for music and paper submissions is March 1, 2003. While in the last century we had experienced the benefits of the narrowing of gaps &hellip; <a href=\"https:\/\/www.celesteh.com\/blog\/2003\/02\/08\/another-call-for-scores-this-one-mig\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\"><\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":4,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-1932","post","type-post","status-publish","format-standard","hentry","category-uncategorised"],"_links":{"self":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts\/1932","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/comments?post=1932"}],"version-history":[{"count":1,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts\/1932\/revisions"}],"predecessor-version":[{"id":4185,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts\/1932\/revisions\/4185"}],"wp:attachment":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/media?parent=1932"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/categories?post=1932"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/tags?post=1932"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}