{"id":550,"date":"2007-09-21T09:16:00","date_gmt":"2007-09-21T08:16:00","guid":{"rendered":"http:\/\/www.celesteh.com\/blog\/2007\/09\/21\/dissonance-curves\/"},"modified":"2015-06-19T00:24:23","modified_gmt":"2015-06-18T23:24:23","slug":"dissonance-curves","status":"publish","type":"post","link":"https:\/\/www.celesteh.com\/blog\/2007\/09\/21\/dissonance-curves\/","title":{"rendered":"Dissonance curves"},"content":{"rendered":"<p>Jaaun Sebastian Lach<BR> <BR> Roughness or beating is equal to hz difference betwwen two sounds. Has to do with physical properties of the ear and the critical bandwidth- which is the width of hearing of discrete sounds. You can only hear one sine wave per critical bandwidth. The bark scale climbs the critical band.<BR> <BR> Disonance is perceived from bark scale and also cultural factors. Bark scale also applies to partials and overtones. Helmholtz held that acceptable amounts of roughness are cultural.<BR> <BR> This speaker has a Disonance class, which looks to be very interesting. Also has method barkToHerz<BR> <BR> Tenney thought that consonance and dissonance meant diferent things in different contexts. The terms have a functiona; usage depending on how music is composed: hisorical systems.<BR> <BR> Barlow has some fancy-sounding theories. He imagines a consonance-disonance axis.<BR> <BR> The Dissonance class can be used to derive scales. I must have this class!! <BR> <BR> Sethares holds that tunings are related to timbres of instruments. Scales are derived according to roughness of partials present in the instruments used.<BR> <BR> Computer composers can use a tmbral grammar. The presenter has some real-time analysis. He&#8217;s been doing this stuff while i&#8217;ve been navel gazing about it. Awesome.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jaaun Sebastian Lach Roughness or beating is equal to hz difference betwwen two sounds. Has to do with physical properties of the ear and the critical bandwidth- which is the width of hearing of discrete sounds. You can only hear one sine wave per critical bandwidth. The bark scale climbs the critical band. Disonance is &hellip; <a href=\"https:\/\/www.celesteh.com\/blog\/2007\/09\/21\/dissonance-curves\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Dissonance curves<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":4,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":""},"categories":[1],"tags":[76,64,90,236],"class_list":["post-550","post","type-post","status-publish","format-standard","hentry","category-uncategorised","tag-celesteh","tag-supercollider","tag-symposium","tag-the-hague"],"_links":{"self":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts\/550","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/comments?post=550"}],"version-history":[{"count":1,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts\/550\/revisions"}],"predecessor-version":[{"id":2773,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts\/550\/revisions\/2773"}],"wp:attachment":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/media?parent=550"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/categories?post=550"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/tags?post=550"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}