{"id":57,"date":"2014-07-03T11:26:00","date_gmt":"2014-07-03T10:26:00","guid":{"rendered":"http:\/\/www.celesteh.com\/blog\/2014\/07\/03\/dimensionality-and-appropriation-in\/"},"modified":"2015-06-19T00:23:00","modified_gmt":"2015-06-18T23:23:00","slug":"dimensionality-and-appropriation-in","status":"publish","type":"post","link":"https:\/\/www.celesteh.com\/blog\/2014\/07\/03\/dimensionality-and-appropriation-in\/","title":{"rendered":"Dimensionality and appropriation in digital music instrument design"},"content":{"rendered":"<p>Musicans play instruments in unexpected ways. SO they decided to build something and see what people did with it.<br \/>\nappropriation is a process in which a performer develops a working relationship with the instrument.  This is exploitation or subversion of the design features of a technology (ie turntablism)<br \/>\nAppropriation is related to style.  Appropriation is a very different way of working with something.<br \/>\nHow does the design of the instrument effect style and appropriation?<br \/>\nthey gave 10 musicians a highly constrained instruments to see if they got style diversity.  They made a box with a speaker in it with a position and pressure speaker. the mapped timbre to pressure and pitch to movement.  And a control group with only pitch.<br \/>\nPeople did some unexpected things, like tapping the box, putting the hand over the speaker and licking the sensor (ewww)<br \/>\nThe users developed unconventional techniques because of and in spite of constraints<br \/>\nOne desgree of freedom had more hidden affordances.  The two agrees of freedom had only 2 additional variations and no additional affordances.<br \/>\nUsers of the 1 degree of freedom group described it as a richer and more complex device which they had not fully explored.  Users of the more complex instrument felt they had explored all options and were upset about pitch range.<br \/>\nThe presenter beleives there is a cognitive bandwidth for appropriation. More built options limit exploration of hidden affordances.<br \/>\nThis was a very information-rich presentation of a really interesting study.<\/p>\n<h4>Questions<\/h4>\n<p>Q: Is pitch so dominant that it skews everything?  What if you did an instrument that did just timbre?<br \/>\nA: Nobody complained about loudness.<br \/>\nQ: If participants were all musicians, did their primary instrument effect their performance?<br \/>\nA: Some participants were NIMErs, others were acoustic players. They&#8217;re studying whether backgrounds effected perofrmance style.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Musicans play instruments in unexpected ways. SO they decided to build something and see what people did with it. appropriation is a process in which a performer develops a working relationship with the instrument. This is exploitation or subversion of the design features of a technology (ie turntablism) Appropriation is related to style. Appropriation is &hellip; <a href=\"https:\/\/www.celesteh.com\/blog\/2014\/07\/03\/dimensionality-and-appropriation-in\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Dimensionality and appropriation in digital music instrument design<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":4,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":""},"categories":[1],"tags":[54,55],"class_list":["post-57","post","type-post","status-publish","format-standard","hentry","category-uncategorised","tag-live-blog","tag-nime"],"_links":{"self":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts\/57","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/comments?post=57"}],"version-history":[{"count":1,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts\/57\/revisions"}],"predecessor-version":[{"id":2249,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts\/57\/revisions\/2249"}],"wp:attachment":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/media?parent=57"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/categories?post=57"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/tags?post=57"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}