{"id":645,"date":"2007-05-05T19:44:00","date_gmt":"2007-05-05T18:44:00","guid":{"rendered":"http:\/\/www.celesteh.com\/blog\/2007\/05\/05\/classical-music-in-peri\/"},"modified":"2015-06-19T00:24:41","modified_gmt":"2015-06-18T23:24:41","slug":"classical-music-in-peri","status":"publish","type":"post","link":"https:\/\/www.celesteh.com\/blog\/2007\/05\/05\/classical-music-in-peri\/","title":{"rendered":"Classical Music in Peril!"},"content":{"rendered":"<p>Classical Music is dying!  Fewer recordings!  Fewer symphonies!  Fewer jobs!  <a href=\"http:\/\/online.wsj.com\/article_email\/SB117832128175492832-lMyQjAxMDE3NzA4NTMwMjUxWj.html\">And now now computers are taking our symphonies away!<\/a><\/p>\n<p>Ooooo-kay.  I love computer music just as much as the next guy.  Actually, I probably love it more than the next guy.  But Mozart on a laptop symphony?  For the love of gods, why?  I mean, if they were using historical tunings and historical instrument sounds, that would be cool, I guess.  But modern instruments, modern tempos and equal temperment?  Geez, why make music at all?  I mean, I can just sit at home with my ipod if I want to be bored by classical music.  This is all so . . . pathetically sad.  <a href=\"http:\/\/www.therestisnoise.com\/2007\/04\/reality_check.html\">Art music is nowhere near dead<\/a>, but these guys imagine themselves at a graveside memorial, or in Dr. Frankenstein&#8217;s lab, trying desperately to create Zombie Mozart and Zombie Beethoven.  <i>Augh!  Braaaaaains! D Minor Mass!  Braaaains!<\/i><br \/>\nThis isn&#8217;t even interesting as a proof of concept.  Except for the MIT research.  Measuring how movements and physiology map to well-known pieces could have very cool applications.  But the rest of this?<\/p>\n<blockquote><p>\nFor a budding composer, the economics of a virtual orchestra are compelling. Matthew Fields, who has a doctorate in composition from the University of Michigan but now works as a computer programmer and writes music on the side, has spent $50,000 on a professionally produced recording by 18 musicians. Last year, he commissioned a recording from Mr. Smith&#8217;s Fauxharmonic Orchestra for his complex six-minute work, &#8220;Fireheart,&#8221; for about $800.<\/p>\n<p>As a composer, getting players interested in his work is essential for building a reputation, Mr. Fields says. Without the recording, the piece &#8220;would simply be dismissed as unplayable and unworthy of playing,&#8221; he says.\n<\/p><\/blockquote>\n<p>I&#8217;m sure nothing convinces instrumentalists that a piece is playable and worthwhile like the composer being forced to a computer realization that he paid out of pocket for somebody else to do.  Maybe the <i>Journal<\/i> took this guy completely out of context and made him sound like a tool, but two words spring to mind there: &#8220;rich dilettante.&#8221;<br \/>\nMaybe he&#8217;s too busy computer programming, or maybe he&#8217;s just really unpleasant and doesn&#8217;t have any friends, but my solution for these sorts of problems has always been to write for folks that I know.  And to do computer music.  But not as a pathetically sad, desperate replacement for &#8220;real&#8221; musicians.  This poor guy probably needs a hug right now.  I hope he has a dog or a cat or something.<br \/>\nI used to have a small percussion ensemble.  I wrote for their ability, so some parts were complex and others were not.  I think it&#8217;s more useful and interesting for a composer to work with the shortcomings of what they have then to fight them.  This kind of shelling out mad bucks for recordings is fighting fate.<br \/>\nThis is not to say that performers shouldn&#8217;t get paid for their time, whether they be playing the music of reputationless composers or &#8220;less traditional pursuits, from film scoring to marching-band music.&#8221; (um, did the journal reporter fall out of a wormhole while interviewing John Philips Sousa?  Since when is marching band non-traditional?  Oh, those crazy experimental marching bands!)<br \/>\nOn the other hand, if every single orchestra performance of long-dead german men were computer-realized instead of with live musicians, I don&#8217;t think I&#8217;d have too much of a problem with it.  Who cares if you leave dried or fresh (or plastic) flowers at Mozart&#8217;s tomb?<br \/>\nSo, to summarize: art music is not in trouble.  Fake orchestras are not new (hello, film music).  Looking for arts coverage in the <i>Wall Street Journal<\/i> is like looking for financial advice in <i>Maximum Rock N Roll<\/i><\/p>\n<h4>Edit<\/h4>\n<p><a href=\"http:\/\/www.kalvos.org\/fieless2.html\">Here is the transcript of a radio interview with  Matthew Fields<\/a> who seems like an ok guy, but is kind of old for the &#8220;budding composer&#8221; description.  I think the <i>Journal<\/i> took him out of context.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Classical Music is dying! Fewer recordings! Fewer symphonies! Fewer jobs! And now now computers are taking our symphonies away! Ooooo-kay. I love computer music just as much as the next guy. Actually, I probably love it more than the next guy. But Mozart on a laptop symphony? For the love of gods, why? I mean, &hellip; <a href=\"https:\/\/www.celesteh.com\/blog\/2007\/05\/05\/classical-music-in-peri\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Classical Music in Peril!<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":4,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":""},"categories":[1],"tags":[76,11],"class_list":["post-645","post","type-post","status-publish","format-standard","hentry","category-uncategorised","tag-celesteh","tag-music"],"_links":{"self":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts\/645","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/comments?post=645"}],"version-history":[{"count":1,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts\/645\/revisions"}],"predecessor-version":[{"id":2870,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/posts\/645\/revisions\/2870"}],"wp:attachment":[{"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/media?parent=645"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/categories?post=645"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.celesteh.com\/blog\/wp-json\/wp\/v2\/tags?post=645"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}