reality distortion field

may advisor is able to easily deploy a reality distortion field where your musical ideas change in an unexpected direction or the goals of your project are shifted, or your worries get redirected or future plans get constructed out of the ether. Everything makes a lovely logical sense until he leaves and you start talking about it to somebody else. “Just sneak into the EU via Norway . . .. No wait, that idea is sketch . . .. That’s not a solution.”

It’s a great skill for an artist. Because what is art if not a reframing or a re-thinking of reality and a trip into a different perspective? Um, but maybe it could just stay in art and not seep out in all directions. I am so susceptible to this. “Somebody give me an answer!!! Oh, what a lovely answer! No, that doesn’t work at all. fuck.” say I, far too often.
CCMIX has rolling admissions. I wonder if I can manage to pay to live in Paris for a year.
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Why would anyone write back to my email?

Bah.

I woke up this morning feeling sooooo angsty. Unbeleivable levels of angst. Is it the late winter snow or what? then I went off to improvise with Anthony Braxton and he’s an angsty guy too. The level of angst was high and stressed ack-i’m-running-late energy from both of us and then we sat down and played . . .
and it was magical. I’m going to try to play my tuba every day. or a synthesizer. but a computer doesn’t count. Anthony was talking about how music makes him sane etc, etc etc. It’s true for me too. sometimes musicians look down as elitists on non-art types. “how sad for them to have no art” we say. But they should look down on us. “how sad for them that they get paralyzed with angst if they don’t play a tuba. what a handicap.”
i generated some email asking about study abroad next year. IRCAM’s deadline was in October. I’ve heard that CCMIX has a late deadline. I dunno. Friday evening in Paris by the time I emailed. Maybe I’ll hear Monday. And my advisor wants me to email him about my thesis but is as bad at reading email as I am. So, just like with the German exchange folks, I’m not going to hear squat. The german exchange here is good for any university in Germany. Maybe I could go to Berlin or Köln or a big city. I wonder how I would go about researching music schools in Germany . . . before the start of spring break. AND write my thesis.
My computer has almost all of my applications working now and all the data is happy, as far as I can tell. I think I should go work all day tomorrow in the studio, as I have an idea that being in a more public place will enable me to concentrate better. It’s hard to sit home alone and work. also, periodic interactions with people prevent me from stewing in angst.
Major sources of angst include thesis (big cloud of doom hanging over head) and study abroad (what will i do next year, ack) and gf (why would she want to go to Karlsruhe, does this mean the end). And if matt, anne judy and everyone else I’ve talked to all say negative things, why do I want to go? A couple of those people have a certain tendency to take a more balanced view of things. As in, for all the drama and frustration and my near constant whining, I see my experience at Wesleyan as completely positive. Some of BW exchange alums took their Wesleyan frustrations more to heart and can’t say that their experience was completely positive. Which is to say that I tend to overstate the positive in a way that makes me rate things more positively than others might given my same experience.
bah. doom. maybe i should just be doing phD applications.
and writing my thesis
maybe i should take next year off get a job.
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Going Abroad

Ok, so next year, I really want to study abroad. I’m thinking someplace in continental Europe. I’m applying for Wesleyan’s exchange program where I would go to Karlsruhe. But . . . several of the last people who went have not said good things about it. One guy was unable to answer the question whether he had gotten anything out of the experience. I’ve been pushing forward anyway, because I really want to go abroad and because I speak some German and I’m sure it will work out somehow and I really want to have some sure thing for next year . . . but . . . today I heard a professor say something about how you didn’t want to spend any more time in Karlsruhe than was strictly necessary. Ok, red flags are starting to pop up. Or rather, I’m starting to notice them.

I should find a different way to go abroad, I guess. I talked to my advisor about this and he told me I should go to Karlsruhe. He’s always promoting it despite unhappy grads from the last three years. Maybe the CT department of education has him on the take . . .. Um, but seriously. Several people I know have applied to C.C.M.I.X.. Every person I know who has applied has gotten in. Most have not gone because it’s not a funded program. I know that sustainability as a composer means people paying me instead of vice versa. But a year in Paris could be very groovy. If this program sounds familiar to you, it’s cuz Christi went there in 2003-4. . . . Which is a bit of a complexity, or not. I know she had a positive experience. And she’s not in Paris anymore. And Paris has a very nifty music scene. Getting in on it would be very valuable connections.
If you know of any year long music program in Europe, tell me about it. I’m electronically focussed and not very academic (in the Milton Babbit sort of way). There’s also IRCAM, but would I have to know how to speak French before I arrived?
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Speaking of Over-attachment to the Inanimate

companion toys for Japanese elderly people

As Japan produces fewer children and more retirees, toymakers are designing new dolls designed not for the young but for the lonely elderly — companions which can sleep next to them and offer caring words they may never hear otherwise.
Talking toys have become such a hit that some elderly people have embraced them as substitutes for the children who have grown old and deserted entire neighborhoods in the rapidly greying country.
. . .
“Thank you for giving me a heart-warming baby. I’m no longer alone,” an 82-year-old woman wrote while another senior woman said she was raising the doll “as my own child”.
. . .
The robot’s maker Dream Supply said the Snuggling Ifbot had the conversation ability of a five-year-old — considered just enough for small talk to keep the elderly from going senile.

What does it mean to love a machine?
We can program them to be what we want.
The toy will never forget us.
&nbsp
But we forget it.
No need to worry about finding it a home for
. . . afterwards.
 
It has no soul.
Cast it aside.
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Daily Litany of Woes

I’m going to cheer up any damn day now. But in the meantime: super exhausted all day. Slept through morning class meeting thingee. And then super grumpy. I hate everybody on earth. Except I don’t. Playing in Braxton’s ensemble always makes me happy (even though I’m late every goddamn day). Colloquium does not. It has complexities. I’m having a lot of complexities. Came home and napped for like half an hour and then went to my usually deserted office hours. there were 37264191724 people there. they all have stuff due tomorrow. they are all trying for the first time to figure out how to use the software. It’s kind of endearing. also, I laugh at their ill planning. Ha ha ha. Nothing personal. It’s what comes from hating everyone on earth.

Braxton came in and I wrote an Event thingee for him. Ron told me to figure out Events when I met with him this afternoon. (The meeting mostly included me cussing and him saying I should rewrite stuff in a bunch of different conflicting ways. This is exactly what happened with my text project. He’s always thinking “what’s a different way to write this?” It’s sort of helpful with writing code, because he’s going to touch upon a better method and then I’ve learned something. Not so helpful with text.) so, I had a hammer and Braxton’s thing looked enough like a nail.
I am extremely fond of Prof Braxton. We’re going to jam on friday.
Ok, I don’t actually hate everyone on earth. It’s much too tiring. I don’t hate anyone, really. Also, I am drinking calm tea before bed. It’s working.
John Cage has a pretentious quote about being willing to dedicate his life his art. Me too. Sign me up.

Thoughts on Death

I spend a lot of time thinking about death. Anyway, a hospice worker told me that people often experience a period of wakefulness before they die. sometimes they sort of come-to and say goodbye to everyone and then die a few hours later. This didn’t happen to my mom, but she did have one sort of dramatic waking over a week before she died. I think it’s different when you have a brain tumor.
Anyway, I’ve been over anthropomorphising my laptop. It booted and I logged in and looked at the desktop, thinking I was never gong to see it again. And then half an hour later, it died. Sort of not like a person. Like a pet rabbit that hops a few last hops and then goes back into a coma. So, ok, it’s inanimate. I still grieve. I’m thinking a memorial service would be overkill . . . although we had a wake for Leroy the gerbil when he died last spring. I’m going to write a requiem for my laptop disk.
No, I haven’t really written a requiem for my mother. there’s a major difference between a dead pet rodent and a dead mom. I don;t cry when recording Chopin’s funeral march because I’m thinking of my disk. However, I did write a piece for my grandmother. Maybe I’ll post it later.
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And on a positive note

My problems are all temporary. they will all evaporate. their resolution is in sight. One day, somebody will ask me about my rube goldberg backup system and i’ll furrow my brow and think “oh yeah! remember when my laptop died?” and my thesis is due in april or may, so i’ll have something by then and my concert date will come and then pass. the only thing that’s really worrisome is lack of data surrounding brining Nicole to Germany. If you’ve got ideas on that, drop me a line: celesteh@gmail.com or leave a comment.

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