Les said, the better II

Way back in January or February, I put an ad up on Yahoo personals. Today, I cancelled it. They asked me why. I said something about having a girlfriend and the Connecticut lesbian dating scene being unfathomable. But they asked me again to take a survey.

What did you like most about your Yahoo! Personals service?

um, honestly, mocking the ads of the other users.
 

What did you like least about your Yahoo! Personals service?

 going to coffee shops to meet women with mullets who think /i’m/ weird

What changes would you suggest we make to the service that would improve the experience?

This is a large problem which requires a multi-facetted approach. First of all, personal ads are still viewed with suspicion by members of the lesbian community, especially in New England. It might be a good idea to advertise in MetroLine, a gay publication that seems to be popular. This would make people less embarrassed when their lurker friends found their ad and would increase the size of the population placing ads.

Secondly, many people have poor written communication skills, which makes their ads subliterate or causes misunderstanding in their ad-realted correspondence. You may want to lobby for better writing programs in highschools. The whole on-line industry depends on the reading and writing skills on the general populace, so it’s in your best interests to improve education.

Um, I really don’t know what you can do about the over-representation of TV-addicted women with mullets. Maybe start offering free haircuts with a subscription?

But gos, that makes me sound like an asshole. And while I’m not really into northeastern suburban lesbian hair fashions, it’s not so auful as I make it out. And while I really had little in common with the women I met, they were actually nice people and some I would like to keep around as friends. Maybe I bare some blame for the oddness of my internet-dating experiences.

Her: what popular bands do you like?
me: i don’t listen to popular music
her: oh, um, what tv shows do you watch?
me: i don’t watch tv
her: what kind of car do you drive?
me: i prefer bicycling due to the general unavilability of vegetable-based fuels in this area
her: uh…. ok… so what do you study?
me: I compose experimental electronic music with my laptop.

Phillip K dick wrote in Radio Free Abelmouth that once you become a Berkeley radical, you can never leave. Thishas happened to me. I can really never leave Berkeley. I can go to visit other places anywhere in the world, but always as a foreigner. They sell t-shirts on Telegraph Ave that say “The People’s Republic of Berkeley.” I could never decide if I wanted one or they were too touristy and deserved to be mocked. I think I might get one for East Coast wearing.

So a few weeks ago, I went to a music festival and symposium at Wesleyan, called the For a Long Time festival. One of the symposium speakers was Michael Schumacher, who runs the Diapason Gallery in New York City. This gallery specializes in sound installations. One of their current projects is sound installations for people’s homes. People who really like such things pay a fee and get an installation put into their homes. Depending on the amount of money they put in, they get a certain number and quality of speakers put up around their house. So somebody might pay a few thousand dollars and get a killer sound system and some pieces to play on it. The deal, though, is that it’s an installation. It’s self-directing art. The customer does not controll the art. Meaning, they don’t know what they’re getting ahead of time. Furthermore, there is no volume control. It plays what it plays when it plays it, which might be just on the full moon or something, who knows. If you don’t like the installation, you can turn it off, but you can’t turn it down. Schumacher told us of an early customer who said that it completely changed her life. I bet it would.

Personally, I wouldn’t want an installation in my home, because I work in my home. It would be hard to write stuff for my own installation if there was one already going. But if I were not a composer and I really loved sound art, I could totally see getting one. Fortunately, Cola has an installation in her apartment of the same sort by accident. Her intercomm is freaking out. (Read her account of it.) Sometimes it plays street sounds into her apartment. No volume control. It’s even more hardcore than Diapason’s venture, since there’s no off switch. I kind of liked it as it reminded me of this project. But sometimes, randomly, it will switch and play sounds from the apartment to the street. This is a bit more distressing because, well, few people would want all the sounds from their studio apartment to be played out of a speaker on the stoop. No. Not good.
Cola, however, is a good sport and while she was upset about this (I would be upset too), she is willing to let me take advantage of this situation. The stoop speaker masks everything with a bad 60hz hum. A bad hum. Something is clearly ungrounded. Well, I mean, obviously the wiring is screwed up or this wouldn’t be going on. So anyway, what we did was duct-tape a speaker over the intercom and then set my computer to play out of the speaker. It’s playing my tuning ratios but retuned to be overtones of 60hz, the same frequency as the hum. The effect is subtle. (Maybe a bit too subtle, but when it was louder, it ended up alarming the other tennants…. anyway, I turned it down.) It’s kind of nice. However, I was unwilling to sacrifice my laptop during the day, so it’s not going when I’m not there. What I clearly need is a second laptop that can run osx so I can leave this up 24/7 until the intercom is fixed. Really. heh. I am too pleased with myself about this.

This post killed.
I am keeping casaninja.com as is.

I got some audio of Ann Coulter from MediaMatters.org and I was struck by how everybody kept talking on top of each other so you can’t even tell what’s going on. You get bombarded with bombasticness and somehow, at the end, feel like information has been communicated, but none has. It’s fake news. It’s a media machine trying to pass itself off as the news story. “Hey, look at me!” the media says. So I thought, what if this got layered more and more of the same stuff on top? And not having much more ranting handy as I don’t have cable, I just layered the same clip. And I think it sounds like a machine after several layers. How Ironic! What do you think?

http://www.xkey.com/~celesteh/music/wesleyan/media-machine.mp3

That is a picture of Cola aka Nicole, whose apartment I’ve frequently been lurking in. Cola is nifty. I know her from my undergrad days. She’s a geek. Was a history major and a CS minor, now works at the seond largest toy company in the US programming toys and also takes nifty pictures. She is also my new girlfriend. Say hi.

anon commenting should be working now…

Yes, my blog looks different. I wanted to take advantage of new blogger features and unfortunately, the easiest way to do that was to pick a new look. My old look was also designed by blogger, but, i dunno, this one feels so corporate to me. i tweaked the colors, but it’s still dull. oh well. the content is what matters, right?

Jesse wrote a really good comment to my last post and I’m going to post it here cuz it’s very good

1. install guerilla public sound art pieces that undermine corporate branding of public spaces, drive folks away from malls the day after thanksgiving, or dovetail with a local activist campaign’s goals.
2. arrange to show interactive sound artworks in middle schools and highschools that engage with political themes and are both rewarding to and demanding of particpants.
3. maybe not supercollider so much as protools, but create documentary radio artworks, audio tours, and sound installations on political issues.
4. record rallies, teach-ins, other political events, and create online sound archives. use the sound material for sound collages and interactive audio artworks at future political events.
5. use experimental music concerts, sound installations, cds, etc., esp. when related to a political event, as fundraising opportunities, or as chances to encourage attendees to participate in upcoming actions. at the very least, set up laptops so folks can sign online petitions, send e-faxes, or whatever.

these are all concrete political actions. less explicitly political stuff, through encouraging critical thinking, introspection, and empathy, might also be an important part of a big social change strategy, but that’s much sketchier… that’s what my interview and survey research project is about.

some of this stuff is difficult because of equipment or money issues. also, experimental music, b/c of its high cultural capital, and demographic, academic, and elitist associations, has some disadvantages as far as being a tool for social change, but it also has unique advantages: it’s technological focus, it’s critique of dichotomies, it’s embrace of radical contexts for sound, it’s ability to be something new to people.

Leftism

I see all these bumper stickers that say “Peace Through Music.” Ok. Sounds good. Sign me up. How does this work exactly? Periodically, Anthony Braxton will try to fire us up to go create change “not just in happy theory land” but also on the physical plane. Change throught music. Peace through music. All horribly short on specifics. Could someone tell me how I can use supercollider to end capitalism and facism and bring about the worker’s state? Seriously, now. I think it would be a good idea.

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