Art Installation

So a few weeks ago, I went to a music festival and symposium at Wesleyan, called the For a Long Time festival. One of the symposium speakers was Michael Schumacher, who runs the Diapason Gallery in New York City. This gallery specializes in sound installations. One of their current projects is sound installations for people’s homes. People who really like such things pay a fee and get an installation put into their homes. Depending on the amount of money they put in, they get a certain number and quality of speakers put up around their house. So somebody might pay a few thousand dollars and get a killer sound system and some pieces to play on it. The deal, though, is that it’s an installation. It’s self-directing art. The customer does not controll the art. Meaning, they don’t know what they’re getting ahead of time. Furthermore, there is no volume control. It plays what it plays when it plays it, which might be just on the full moon or something, who knows. If you don’t like the installation, you can turn it off, but you can’t turn it down. Schumacher told us of an early customer who said that it completely changed her life. I bet it would.

Personally, I wouldn’t want an installation in my home, because I work in my home. It would be hard to write stuff for my own installation if there was one already going. But if I were not a composer and I really loved sound art, I could totally see getting one. [Dear tennants, the intercomm system is not working correctly]Fortunately, Cola has an installation in her apartment of the same sort by accident. Her intercomm is freaking out. (Read her account of it.) Sometimes it plays street sounds into her apartment. No volume control. It’s even more hardcore than Diapason’s venture, since there’s no off switch. I kind of liked it as it reminded me of this project. But sometimes, randomly, it will switch and play sounds from the apartment to the street. This is a bit more distressing because, well, few people would want all the sounds from their studio apartment to be played out of a speaker on the stoop. No. Not good.
[installation]Cola, however, is a good sport and while she was upset about this (I would be upset too), she is willing to let me take advantage of this situation. The stoop speaker masks everything with a bad 60hz hum. A bad hum. Something is clearly ungrounded. Well, I mean, obviously the wiring is screwed up or this wouldn’t be going on. So anyway, what we did was [duct tape speaker] duct-tape a speaker over the intercom and then set my computer to play out of the speaker. It’s playing my tuning ratios but retuned to be overtones of 60hz, the same frequency as the hum. The effect is subtle. (Maybe a bit too subtle, but when it was louder, it ended up alarming the other tennants…. anyway, I turned it down.) It’s kind of nice. However, I was unwilling to sacrifice my laptop during the day, so it’s not going when I’m not there. What I clearly need is a second laptop that can run osx so I can leave this up 24/7 until the intercom is fixed. Really. heh. I am too pleased with myself about this.

Media Machine

I got some audio of Ann Coulter from MediaMatters.org and I was struck by how everybody kept talking on top of each other so you can’t even tell what’s going on. You get bombarded with bombasticness and somehow, at the end, feel like information has been communicated, but none has. It’s fake news. It’s a media machine trying to pass itself off as the news story. “Hey, look at me!” the media says. So I thought, what if this got layered more and more of the same stuff on top? And not having much more ranting handy as I don’t have cable, I just layered the same clip. And I think it sounds like a machine after several layers. How Ironic! What do you think?

http://www.xkey.com/~celesteh/music/wesleyan/media-machine.mp3

say hi

[Cola] That is a picture of Cola aka Nicole, whose apartment I’ve frequently been lurking in. Cola is nifty. I know her from my undergrad days. She’s a geek. Was a history major and a CS minor, now works at the seond largest toy company in the US programming toys and also takes nifty pictures. She is also my new girlfriend. Say hi.

Creative Commons Liscence

Ok, let’s talk copyright. Anything that you say or do that gets recorded somehow is copyrighted. So recording or writing down a new song is copyrighted. Making up a new songs and singing it in front of 500000 people is not copyrighted unless it’s recorded. So copyright is somewhat stupid. Furthermore, all of your blog ranting is copyrighted. It belongs to you you you and nobody else. Which means that nobody can rip off your woe over Krispy Kreme’s Atkins Woes and set it to music without having to first secure your permission and possibly pay you. This is somewhat stupid. Why is my ranting that I do over the telephone not copyrighted, so that anybody could overhear, find it amusing, later it somewhat to fit in meter and make it into a song, but my web ranting in a different class? Because of stupid copyright laws. Let’s face it, most blog posts do not deserve copyright protection. They’re on the order of found writing. So why give it copyright protection? Why not do a less restrictive copyright so other people can do stuff with it if they feel somehow inspired?
Creative Commons License
All text on this website, with the exception of poetry and song lyrics, is licensed under a Creative Commons License.

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New Template

Yes, my blog looks different. I wanted to take advantage of new blogger features and unfortunately, the easiest way to do that was to pick a new look. My old look was also designed by blogger, but, i dunno, this one feels so corporate to me. i tweaked the colors, but it’s still dull. oh well. the content is what matters, right?

Music as Social Change

Jesse wrote a really good comment to my last post and I’m going to post it here cuz it’s very good

  1. install guerilla public sound art pieces that undermine corporate branding of public spaces, drive folks away from malls the day after thanksgiving, or dovetail with a local activist campaign’s goals.
  2. arrange to show interactive sound artworks in middle schools and highschools that engage with political themes and are both rewarding to and demanding of particpants.
  3. maybe not supercollider so much as protools, but create documentary radio artworks, audio tours, and sound installations on political issues.
  4. record rallies, teach-ins, other political events, and create online sound archives. use the sound material for sound collages and interactive audio artworks at future political events.
  5. use experimental music concerts, sound installations, cds, etc., esp. when related to a political event, as fundraising opportunities, or as chances to encourage attendees to participate in upcoming actions. at the very least, set up laptops so folks can sign online petitions, send e-faxes, or whatever.

these are all concrete political actions. less explicitly political stuff, through encouraging critical thinking, introspection, and empathy, might also be an important part of a big social change strategy, but that’s much sketchier… that’s what my interview and survey research project is about.

some of this stuff is difficult because of equipment or money issues. also, experimental music, b/c of its high cultural capital, and demographic, academic, and elitist associations, has some disadvantages as far as being a tool for social change, but it also has unique advantages: it’s technological focus, it’s critique of dichotomies, it’s embrace of radical contexts for sound, it’s ability to be something new to people.

Leftism

I see all these bumper stickers that say “Peace Through Music.” Ok. Sounds good. Sign me up. How does this work exactly? Periodically, Anthony Braxton will try to fire us up to go create change “not just in happy theory land” but also on the physical plane. Change throught music. Peace through music. All horribly short on specifics. Could someone tell me how I can use supercollider to end capitalism and facism and bring about the worker’s state? Seriously, now. I think it would be a good idea.

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near misses

bass book buying

broken keyYah, so I went biking up Shattuck to go buy a book for my bass lessons. Totally for got where Bancroft was and rode way too far before turning back. Got to sheet music shop and went to lock the loverly borrowed bike. The lock was being stubborn, so I gave the key one hard jerk and got the lock to engage and then saw that I had badly bent the key and it was torn. Alas! So I went into the music shop and asked the guy behind the counter where I could get the key dubplicated. He gave me advice and told me that he spent years playign the tuba and had recently decided to take up playing upright bass. me too! He has a quartet called the “Tuba Dudes” and they’re looking for another bass tuba player, so I gave him my email adress. Then I walked to hardware store to get my key copied, but they were closed. All the hadrware stores were closing. It was late. I was miles from home. The bike lock is not good enough to leave a bike out overnight in berkeley. bah. so I bought a lot of bike grease and then covered the lock with it. It came open at the same moment that the key snapped in two. Seriously. And then today I noticed that I bought book two of the bass method instead of book one. bah.

computers

A shot glass full of lemoncello landed directly on top of Cola’s laptop. I blinked at it for a while and told it to run software shut down. then my brain rebooted and she pulled out the battery and unplugged it. We shook it out and pulled off the keyboard and virtually no booze got inside the case. I called my amused little brother who told me to wash the gooey parts (or maybe the GUI parts?) with distilled water and let it dry for several days and then reassemble it and it will be fine.
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