CalArts Portfolio Disk

  1. Airwaves #1 2002
  2. Airwaves #2 2002
  3. Airwaves #3 2002. The Airwaves series will eventually include seven pieces. All of these pieces use a MOTM analog modular synthesizer and are mixed with Pro-tools. Airwaves #3 also uses a Midiverb and a recording of breathing. Airwaves #2 was played at Woodstockhausen 2002. The program notes for this series are:

    Airwaves is a series of tape music featuring the sounds of analog modular synthesis. It primarily uses a MOTM modular synthesizer. Because the sound of this synthesizer is so naturally big, pieces in this series try to give the listener some space by creating music with more air in it.

  4. Breaking Waves 2001. This piece was composed in responce to a call for tape pieces by Ibol Records. It was released on a compolation disk called Random Spheres of Influence. The source sound for this is white noise from a MOTM synthesizer. It was then processed with Audio Catalyst software, by convertng it to mp3 format and then back to AIFF format and then to mp3 and so forth, so the original sounds would degrade and alaising would become apparent. It was mixed with Pro-tools.
  5. Phase 2001. This piece was created with a Future Retro 777 synthesizer. I used the same pattern on the sequencer in three differnt loops, but the pattern was cut to different lengths so that the lopps fall in and out of phase with each other. It was mixed with Pro-tools. This was featured in the now-defunct Nonsequiter ezine.
  6. (de)construction 1998. This piece was created with field recordings and Mills’ Moog analog modular synthesizer. It was recorded to tape and mixed with an analog mixing board.
  7. Bitter Day 2000. This piece was created with a MOTM synthesizer, with some sounds controlled by keyboard. It was mixed and compressed with Pro-tools. This has been played on Internet and pirate radio.
  8. Headerless Data #1 2001. This piece was created using Photoshop software. I generated an image in photoshop and then modified the resultant data with Sound Hack, by adding headers to turn it into an AIFF file. It was mixed in Pro-tools.
  9. Chaos Patch 2000. This piece was composed with a MOTM synthesizer using analog chaos. Three oscilators were patched together in an FM loop, so that the output of each one was the FM input of the next one. It was recorded and mixed with Pro-tools in one night while awaiting returns from the state of Florida during the last presidential election.
  10. Scape 1997. This piece was created with Mills College’s Moog modular synthesizer. It was recorded to tape and mixed with an analog mixer.
  11. Choral No. 1 2000. This was recorded using a MOTM synthesizer and mixed in Pro-tools. It was played on German radio in 2001.
  12. Drum Decay 2001. This piece uses a feedback loop like the one Alvin Lucier used in I am sitting in a Room. The drums sounds were generated with Rebirth software and then processed via a MAX/MSP application, a bass amplifier and a microphone. The results of that were processed with Sound Hack and then remixed in Pro-tools.

Published by

Charles Céleste Hutchins

Supercolliding since 2003

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