The Problem with Twitter

These last few days, I’ve run into Twitter storms twice. Once was reported on in a New York Times article, How One Stupid Tweet Blew Up Justine Sacco’s Life. This was a followup on what happened to the woman who tweeted a crass AIDS joke about Africa. I remember the tweet when it happened and the sense of outrage at her apparent racism. What was she thinking?

I don’t remember if I tweeted about it at the time, but I probably did. And today, I tweeted annoyance at Peter Tatchell. Along with 2000 people. To be fair, Tatchell is often a bit annoying. He’s also extremely consistent and has campaigned tirelessly for years. I don’t agree with all of his positions, but he applies them absolutely evenly, treating homophobes exactly the same no matter where they’re from or what the cost to himself personally. He may be wrong some of the time, but he’ also extremely principled.

Sarah Brown and Natacha Kennedy do a good job explaining what the issue is, but let’s leave that aside and talk about twitter. That I happen to agree with the points raised by the 2000 tweeters (or rather, me and 1999 others) is almost beside the point. I entirely disagree with GamerGate and while many or most of those guys just want to intimidate and harass, at least some of them just want to talk about what they find annoying or personally oppressive.

For whatever reason, Twitter seems to lend itself to outrage. There are several possible reasons. The Twitter company has been extremely poor at dealing with trolls, which may have encouraged a certain institutional culture, but I think that’s not it, as the Twitter pile-on effect seems to be non-ideological. I suspect there are two major reasons. One is the brevity required and the other is the extremely poor threading.

Yesterday was my birthday and I have not actually deleted my facebook account. So I logged in to look at an event and found around a hundred messages posted to my timeline. I thought I could take advantage of people cruising by to better advertise the event, but this didn’t work at all. Because people didn’t actually look at my profile. They saw a notification, a chance to leave a very short message and they did so. Along with everyone I’ve ever met. That kind of UI decision distances people from the milieu in which they are operating. They never saw the other messages, including my own post inviting them to a concert. Similarly, I had no idea that I had joined thousands of other people when I was snarky about ‘freeze peach’ at Tatchell. What’s more, the brevity of the medium forced me to distil my snark down from a much longer thought about how he is really consistent about free speech, even if I think sometimes misguided, and how given the context in which he began his activism, this view might make more sense.

Whether or not twitter is actually more prone to pile-ons is something that seems deserving of more research. Could this happen with tumblr, or does the (terrible, but still less bad) threading help put things within a context? Does the longer format help? I’ve seen trolls on Diaspora, especially repugnant MRAs lurking on the feminism tag, so it may be that pile-ons are cross-platform and not a side effect of brevity. However, Diaspora MRAs are certainly aware of their attempts to shout down all feminist discourse and are not stumbling blindly into it the way I think many twitter users seem to do so.

Accounts like @YesYoureRacist exist to point out that casual racism is still very prevalent online. With more than 59000 followers, though, it’s clear that when I make a reply to a racist tweet he’s highlighted, I’m hardly alone. Indeed, I sometimes get ‘likes’ on my replies even weeks later. And these likes bring up a performative aspect mentioned in the times article. I might not realise exactly how many people are tweeting along side me, but I am definitely tweeting publicly. Each of which might reach a few more people, in widening concentric circles of outrage. Each of which is devoid of knowledge of other circles, making it seem like each of us is one of only a few voices crying out in the wilderness, to the acclaim of few, but still to acclaim.

The times article also talks of this direct, public reach of people seeming democratising. But instead it easily becomes mob-like, for a strange sort of mob that may be largely unaware of each other. It is a neoliberal simulacrum of democracy, in which we all think we have something special and unique to say back to whatever has provoked reaction. It’s as if each of us is at the centre of our own little protests. But in fact, we are an avalanche of (often interchangeable) opinion falling upon another unfortunate individual. Worse than not actually being democratic in any meaningful sense, it feels like a way to be heard. It seems like action has been taken, when in fact, one poor sap has been made an example of. It takes each of us less than a minute each to say something snarky, outraged or mean to whatever has come up that day, and then we can move on. If this is a company or a brand and the problem is not complex, this really can be effective at solving the issue. If some shop has stocked a racist children’s toy, for example, the outpouring of thousands of angry tweets will quickly cause an apology. But most of us are not companies.

I probably say at least a dozen idiotic things per day. And since I was raised in a deeply prejudiced culture, some of those things are occasionally fairly awful. In the old days, I was sometimes met with stony silence, realised my error, apologised and tried not to do it again. Call-outs made me a better person. But these days, I’m more socially isolated, tend to spend most days working alone and post my random thoughts to Twitter. I have not yet caused a storm of outrage, although I have said dumb things to some activists who very nicely took the time to point out that I should stop – something they did not have to do and which I appreciate. Their followers did not chime in. One day, though, maybe I’ll try to be funny in too little space, or say something sarcastic that gets stripped of context. Nobody is right all the time, and when it’s my turn to be wrong, how many people will speak up? How many will see it? I once played in a concert in front of other music students and every single person in the audience separately and quietly pointed out my one wrong note.

I don’t want to be the kind of person who blindly joins a mob. I don’t want to cause people to lose their jobs. I’m not even sure I want to always be so brief with expressing my thoughts. I used to complain about political soundbites on the news and now my own words, as if I’m trying to be some kind of celebrity, are often similarly abbreviated. Finally, the near-constant outrage, even when I’m entirely in agreement, is really tiring. How many of us really have anything to say that’s meaningful in that format? We might all have aspirations of being Jenny Holzer, but even she provokes in a way that can’t be responded to so briefly.

I’m not quitting Twitter, but I’m re-evaluating it’s usefulness, especially as a political tool. Although a rather offensive twitter advert claimed that #Ferguson happened there, it really did not. Our engagement with online mediums from our living room is really not being on the street. And, again, this simulation of democracy is ultimately disempowering. Nor was Twitter really any kind of serious force in the Arab Spring. Twitter is ultimately just another for-profit social network, selling our relationships, thoughts and even outrage back to us for a profit.

What is Noise Music Anyway?

The question I am most frequently asked about my commissions is, ‘What is noise music?’ An excellent question!
Noise music is incredibly diverse, from the lush drones of Éliane Radigue, to the aggressive edge of Elizabeth Veldon, to the quiet whispers of Maggi Payne, to the subversive raucous of Cosey Fanni Tutti to the glitchy digitalism of Shelly Knotts. There is also, of course, a specific context and history of the genre, starting with Russolo’s Futurist manifesto, The Art of Noise, up through early industrial and bands like Throbbing Gristle and then Japanese noise from people like Merzbow. But even though this is important, let’s talk about what sonically unifies these many different sounds of noise music, rather than the cultural bit.

Different kinds of music have different elements that are their primary focus. For example, Bach chorales are largely about harmony. Christmas carols are about melody. And a lot of current pop music is primarily about rhythm. Noise music is about timbre. That means the quality, or texture, of the sound. There can, of course, be all of these other elements in noise music, but a noise composer is very often trying to create a collage of sounds that are interesting based on texture.

Unlike other musical elements, there isn’t really a specialist vocabulary for timbre. Sounds might be described as ‘rough’ or ‘smooth’ or ‘glitchy’. Practitioners talk about this roughly the same way as listeners do. While noise music isn’t exactly new – the Art of Noises was published in 1913 – it’s still very much an area being explored, not fully codified in the way that other musics might be.

In fact, you can make noise music yourself! Although noise has not historically been given much consideration, any new parent can tell you that babies love noise. Humans are attracted to this kind of music from their youngest moments. We all are born with an attraction to these kinds of sounds. So you can experiment yourself at noise making and try recording some sounds that you think are nice. Your might use the microphone on your phone, your camera or your laptop (or a regular mic if you have one). Try dragging your mic along different surfaces, to record the sound of the physical texture. How does your sofa sound vs a wall? How do different kinds of bricks sound? Or try putting your mic next to something that makes interesting quiet sounds.
Pause for a moment and listen to the place you are at. What do you hear? Maybe your laptop fan? A refrigerator? A kettle? A copy machine? Passing cars? If you put the mic very close to the source of these sounds, sometimes the recordings can reveal hidden depth. Maybe your office copy machine has a quiet rhythmic clicking as it copies.
Now that you have all these recordings, you can try to arrange them. Audacity is a free program that might be useful for this. Or maybe you want to listen to them as they are. Play your collages or recordings for a friend. Now you’re a noise composer!
If you have a bunch of recordings you like and want to commission me, I can use them as source material. Commissioned music makes a great gift for babies or for Valentines Day! Order yours today!

Public Key

Do you want the NSA (or Google, or your ISP) reading your email? Of course not! Do you want to simultaneously frustrate David Cameron? Hells, yes! Fortunately, you can encrypt your mail, using a tool that’s a wee faff to set up, but very easy once you get going! Mailvelope lets you encrypt or sign your email, even if you use a web interface. Those of you using hotmail or gmail, this is the encryption tool for you.
You’re going to have to click through to the howto page, as the route to the configuration menu is somewhat non-idiomatic for firefox. However, once you get going, encrypting is dead easy.
Once you get started, we’ll need to exchange public keys. What’s that, you ask? EFF answers all your questions about this. This kind of encryption is the kind that Edward Snowden swears by, so it really does work and EFF’s description is very readable.
UPDATE (7 Feb 2015): If you have trouble decrypting, make sure your version is up to date.
Ok, now that we’re clear on that, allow me to present to you my public key:

-----BEGIN PGP PUBLIC KEY BLOCK-----
Version: Mailvelope 0.11.0
Comment: Email security by Mailvelope - https://www.mailvelope.com

xsBNBFTTfUYBCADMpMs1fXzNP337GR+XoN26HssszqX8QwjrYaA+YVed5VaS
yOyVUZ+4zJn+DGizOy8Ci1vH6CTw2qxX9QEgt0BtMVqwg4IDTSfbbndf0SEI
fuyg0byu9G1DX8sgP1dlF2XQi7s30cmNLqR/a35a03mU1hkdmo+ZkllaNzGa
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-----END PGP PUBLIC KEY BLOCK-----

Review: Unchosen

Publishers will very frequently send review copies of their books to newspapers. Sometimes they review them. Sometimes they don’t. Often the books eventually end up being sold as used to staff members. Which is how my journalist wife brought home Julie Burchill’s memoir Unchosen
I’m only reviewing the first chapter. Apparently the last chapter is largely about a strange conflict between Burchill and my wife’s cousin’s rabbi, who officiated at a wedding I went to several months ago; but despite that tenuous personal connection, I’m not going to carry on. Indeed, rather than make an attempt to summarise what I’ve read so far, I will talk about another book.
This other book is imaginary (or, alas, is probably not imaginary, but I haven’t read one like it). Imagine a memoir where a white person goes on and on about how they love “the blacks”. There are pages and pages about how great black people are at sports and rhythmic music, including statistics about the races of past Olympic gold medallists and music award winners. The author of this imaginary book sharply denounces racists, who they implicitly define to be people who criticise the political and military behaviour of some African countries – including black people who complain.
Now replace ‘the Blacks’ with ‘the Jews’ and ‘some African countries’ with ‘Israel’ and switch around the stereotypes appropriately and you’ve pretty much got the gist. Burchill defines herself as a ‘pro-Semite’, which is to anti-Semitism what benevolent sexism is to sexism. It doesn’t take many pages to get this across, but somehow she manages to pad it out into a chapter. One might feel tempted to see this as a Stephen Colbair- like performance. Is there any self-awareness lurking underneath her fawning bigotry? By the end of the chapter, it seems clear there’s not.
To compare her to Ann Coulter would also be unfair to Ms Coulter. Coulter is cynical and espouses what Frankfurt calls ‘bullshit.’ I can’t know her mind, but I’m confident from context that she knows it’s bullshit. Burchill, on the other hand, seems to be as painfully sincere as its possible for a British person to be. (And if this is the result, I can see why sincerity is so taboo.)
It is not enough to call this book terrible. I need a word to use to describe the vegan coconut faux-nutella I bought the other day. The same word cannot possibly describe both. I would eat the whole jar of that stuff before read another chapter of the book – maybe another five jars. The word ‘terrible’ is far too forgiving. To apply it to this book would be to render it incapable of describing a host of banal things that are ill-conceived and best avoided. Or perhaps, this is the platonic form of the ill-considered and avoidable.
How did this book come to be? When I have a terrible creative idea, which does happen to everyone, usually I can rely on a good friend to gently steer me away from it. I can only conclude that Burchill either has no good friends or they’re as monumentally tacky and racist as she is. Unfortunately, its too easy to see why a publisher picked it up and why reviewers, including whoever filled this used review copy with pencil notes, wrote about it. There is, however, an implication that many people bought this book at full price and read it. People who were not paid to do so. People who may have even gotten through the whole thing. What I really want to know is: who are those people? How many of them are there? What on earth are they thinking?

This is not my music website

Welcome, LMJ readers. The URL that should have been listed by name is http://www.berkeleynoise.com/celesteh/. This is just my personal blog.
I just had two pieces in the audio companion for the latest Leonardo Music Journal, which is very exciting. You can find more about the latest issue here. Both pieces are also on my podcast, but the LMJ versions have been remastered by Tom Erbe and probably sound better.

Crucify Him

I recently read the suicide note of Leelah Alcorn and keep thinking about how far we haven’t come since I was a teen. This is my story. It comes with a trigger warning. Don’t read it if you knew me before I was 18 – none of us need that.

Every year on Palm Sunday, the Catholic churches of my youth would do a small bit of drama, where they would semi-act out the scene where Pontius Pilot condemned Jesus to death. The priest played Jesus. Other readers played the other speaking parts. And the congregation played out the braying mob who called for Jesus’s blood. ‘Crucify him!’ we called out in unison. Or rather, chanted in a dull monotone. Repeating the same scene we did every year for the 18 years I was compelled to attend Catholic mass.
My parents were devout Catholics, and so was I by default for my childhood. Before I could read, they took me to a picket at a women’s health clinic, where I carried anti-abortion signs filled with the mysterious symbols of English writing. I went to Catholic school. I played trumpet at mass. I volunteered at my parish, putting together the paper inserts of church bulletins. Church was a place I could go and get some peace away from my family for a bit.
I don’t know if we had more or less dysfunction than other aspirational, middle class families. The popular thing to do in those days was take your misbehaving kids to therapy, so my mother took us. I went to three different shrinks until I was a teenager and I never trusted any of them. They were not there for me. They were there for my parents. Anything I said to them would be repeated on.
For my brother, they wanted to know why he didn’t like school. For me, they wanted to know why I was not conforming to gender roles.
I’ve repeated this story many times to shrinks since, to the point I don’t trust my own memory of it any more. They also weren’t looking to help me, but were working as gatekeepers. They ask about the parts where I didn’t fit in, but they don’t ask about the part that hurt. Here is the part that hurt: I didn’t know what I was – I only knew what I wasn’t. And what I wasn’t was normal. I told my parents at 14 that I liked girls. They were the first people I told. This was a huge mistake. My mother told other parents. Their kids told everyone at school. I was bullied – sometimes by my friends. (They got teased for spending time with me and shielded me from that, mostly, but also became frustrated with it. I had no official support at school, but neither did they. Why would a 14 year old know what to do when getting flack from all sides for even hanging around with somebody who seems so queer?)
It was Catholic school. Everyone was in the closet. The LGBT staff were afraid they would be fired if they came out. The only teacher who addressed LGBT issues at all was the religion teacher. He had us read about Sodom and Gemorrah, because he thought it was funny. When we didn’t understand the story, he claimed that it was God killing all the ‘faries’.
And thus my safe-haven of church evaporated. I’d read Ratzinger’s letter to American bishops about the pastoral care of homosexual persons. I was ‘intrinsically disordered’. I was unwelcome at church, bullied at school and bullied at home.
My mom hadn’t just outed me as school. Family dynamics had shifted considerably. I was no longer the perplexingly non-conformist child. I was the black sheep. My brother, finally freed from that role, relished his newly raised status. He and my mom would trade queerphobic quips and hate speech at the dining table. I felt unolved and unlovable. If I should somehow attract someone on the basis of unnatural lust, they were not welcome. I could never bring a partner home. There was no place for me in the world.
I pondered suicide. If God hated me, he would send me to hell, which would not be an improvement. Or else, he might not exist, in which case there was hope for a life without him. I knew that happy LGBT people existed and if I could make it, I could join them. I pondered running away from home, but decided to hold out until I turned 18.
My parents did love me; they were just really shit at communicating that. My mother’s friends told her to pack me away to conversion therapy. To throw me out of the house and leave me homeless. In the end, the advice she did follow – to bully me straight – was the kindest advice she received. She thought Jesus wanted her to make my life hell, so she did. But not enough to kill me or make me homeless or make my plunge into the minimum wage, insecure life of an emancipated minor.
I turned 18 and I went to university. I’d picked my uni based very largely on how LGBT- friendly it was. I went from being an outcast to being popular. I got into a relationship. But I didn’t know what it felt like for people close to me to be nice to me. The relationship was awful. And I used my social capital to bully other people.
When I was at university was when I first heard that transgender men existed. I was immediately interested. My my girlfriend, who I spent 9 years with overall, forbade transition. She was a lesbian, she said, so if I transitioned, she would leave. I was used to threats, conditional love and non-acceptance, so I agreed. As we bullied away most of my friends, who did I have aside from her?
My life became less and less tenable. And finally we broke up. She’d had enough, I’d had enough. It took a few years of questioning and of me desperately trying to force myself into boxes that didn’t work, before I finally did transition.
This isn’t an ‘it gets better narrative.’ My mother died and I inherited money. I used it to transition and then move to another continent. My life is ok now. It’s really good in fact, but this is not only because I stuck it out. It’s because I have privilege. I can’t make promises to trans kids that things will definitely get better for them. I desperately wish I could. I can say: the future you think you see is not the future you will have if you stick around for it. You will be surprised if you stick around. I really want you to stick around.
When I first moved away from home, at 18, my parents told me not to come back. But it was half-hearted – the kind of rows people have to make separations easier, but with the particular viciousness of our established dynamic. They paid my student feeds. They called me after a week to ask when I was going to visit. They met my girlfriend and came to see her as part of the family. All their threats vanished. Their disapproval slowly melted away. They forgave me. I forgave them. I stayed at my mother’s bedside when she had cancer. There was love there. Some clergy told them not to push me away and in the end, they went with the kinder version of their God. Their love gradually triumphed over their queerphobia.
Not every religious person has access to loving clergy. There are many in pastoral care who will happily sacrifice other people’s families to feed hatred. There are many who will turn their backs on their own families. They can’t face the truth of it, so they call their abuse ‘love’. It’s what Jesus wants.
And so, they stand in a mob, dully shouting ‘crucify him’, at their own children, just like we did at mass every Palm Sunday.
We like to think, when reading history, that we would have provided haven on the Underground Railroad, or joined the Resistance in Nazi-Occupied France or marched with MLK or somehow been on the side of the angels. When we read about privileged allies who helped Others at great personal risk, unless we’re part of the Other, we imagine ourselves as one of the allies. Of course we would have known that something so evil was wrong. But on Palm Sunday, the liturgy forces us to acknowledge the lie of this. ‘Crucify him!’ we say of the ultimate victim – the one we have defined as someone who never did wrong. The news might say ‘he was no angel’ about most innocent victims of state violence, but Jesus was better than an angel. Christians read every year about how the chief priests persuaded the crowds to say Jesus was guilty.
When clergy say Jesus demands violence, cruelty, abuse, neglect, ‘conversion therapy’, homlessness and death for LGBT people, they order parents not to love their children. They say Jesus does not love. They say Jesus is a monster who deserves no loyalty or respect. The world would be better off without such a hateful God. We’d all be better off if they would just crucify him.
Whose side are they on?

Auto complete poetry experiment

With the first time is the first time to see what you are. By the way to the way you can do some of the way to do. As a little more than happy to be great. Day of this email. Each other than the next weekend. Of my resume. Get a few days. His own understanding of the way. In a great news. Just wanted to be. King of the whole. Life is the first time. Me know when you are you can you are you are you are you. In the first place. Once you’ve been a chance. Part of the first time. Quiet day and they are you. Run into your email. Us immediately by the most beautiful. The way you would like a great weekend so much more time. Used when the way you are you. Value of the new. Was not sure if we can do something about the first time. A few days and may need to the first time. By a great to be used for your help. Zone of my mom said he said he said that they want to go down the rest is the first time.

The Holiday Rush Is On!

If you’re like me, you’ve barely started your Christmas shopping. I know it’s naughty to put it off so long, but sometimes it takes me a while to think of just the right gift. And sometimes I need deadlines for motivation. And, this is really a bit of a personality flaw. I was on a first name basis with the person responsible for assessing late fees at my uni when I was 20.
If you were thinking of getting a bespoke noise music for a Christmas gift this year, fear not, fellow procrastinator! I can deliver two more noise pieces in time for the holidays! If you want a physical disk, be warned I send them via first class post from London, so I can no longer guarantee arrivals of physical disks in time for Christmas for anyone overseas. It will probably get around England in time.
If you are ordering a digital delivery gift and aren’t sure how to give it, you could try burning your own disk or using other physical media such as a memory stick. Or I could generate a QR code you could put into a card.
Don’t delay too much longer, as I need a bit of time to make the piece and to do my own Christmas shopping!
Noise music doesn’t end with Christmas, so if you need to give a gift in January or for Valentines Day, I’ll be here to help. I’m working on some exciting plans for noise in 2015!
Bespoke noise music makes a great gift. There are only two order left in time for Christmas! Get yours in NOW!

Do you love noise music? Do you have fashion? Drop me an email if you’d like your image to be in forthcoming posts about noise and fashion

Advertising

I decided this weekend that what would really be a good idea would be a photo of my puppy wearing a Holiday jumper and headphones. It turns out that it’s really difficult to put things on puppies and then get them to sit still. Especially if they’re teething. My pinkie got caught in a futile attempt to prevent the jumper from being shredded and the headphone cables now need to be re-soldered. I hope that professional photographers that work with puppies are well-paid, because they certainly deserve to be.

Advertisement

I got one photo that came out more or less ok, and adding to my frustration, graphic design is also really hard. Really, my creative skills are almost entirely musical in nature.
Finally, I decided to give up and instead give my dog a nice long walk, as a thanks for (sort of) putting up with being made to wear strange things. As we went by Hackney’s medieval tower, I noticed they had a ‘Santa’s Grotto’. Aha!

Noise Advert!

My graphic design skills are still rubbish, but it helps to start out with a really good photo.
Sonia’s dad is involved with the Hackney Historic Buildings Trust, which runs open days at the Tower and both her and I have volunteered there, so we chatted with the elves and gave mulled apple juice to queuing families, until finally there was a lull and no children were waiting. Father Christmas turned out, fortunately, to love dogs and was happy to pose for a photo. (It also helped that he didn’t notice that the puppy was actually chewing on his beard at the moment this was snapped.)
If even adorable puppies want noise music, maybe your friends and family do too!
I have an idea for some puppy themed, music, actually. He likes to race around my living room for a bit, and while doing proper tracking on a webcam is somewhat difficult, detecting pixels that have changed massively from frame to frame is kind of trivial. So I could have a sound process controlled by the paths chosen by an excite-able puppy. It would be fun to do and make his excesses of energy something other than distracting – at least for one piece!
Do you want to give a gift of puppy-generated music this Christmas or Hanukkah? Order now to beat the rush!

Do you love noise music? Do you have fashion? Drop me an email if you’d like your image to be in forthcoming posts about noise and fashion

Noisy Week

I’ve posted TWO noise music commissions this week and sent a third to the patron who commissioned me. I’ll post it as soon as she gives me a title.
The first one was in honour of the birthday / retirement of Paul Berg from Sonology. One of his former students organised a large number of short commissions, which were compiled together in something they called ‘The AC Jukebox’, titled for the software that Paul developed. I talked a lot about the piece on my podcast, where you can read the notes of how it was assembled and some reminiscences on having Paul as a teacher.
The next piece I posted was commissioned by Lauren Redhead in honour of her friend, Caroline, who had a birthday. The party was last night and I have not yet heard how it went down as a gift, so here’s hoping it was well-received!
This was a digital piece and since it was my first digital piece in this series, I went a bit overboard with the processing. I wrote a SuperCollider script to generate 10 short source sounds and then used other scripts to manipulate the files as if there were images. I set up a lot of batch processing to go through them. I like this processing method a lot, and so will have more to say about my scripts shortly. I’m calling the suite of tools autoglitch!
Lauren told me that Caroline likes harsh noise, so this piece is a lot of glitching with no reverb. It’s dry digitalism! I did have to run it through a short SuperCollider script to remove DC bias, which was very helpful to make it speaker safe without changing the perceptual sound. You can give it a listen on my podcast.

Making that piece created a load of weird, glitchy images, which are also nice. The ideas that lead to this piece and this way of working are very much from talking to Antonio Roberts, who had lots of helpful suggestions and who posted his own tutorials on glitch art. His stuff is great.
As for the piece awaiting a title, I don’t want to say too much about it yet, but I will say that the commissioner had a bit of a poppy sensibility, so I used some compression and faux plate reverb.
If you’ve got a friend with an upcoming birthday or want to give something really original for the holidays, consider giving the gift of noise! If you order now, delivery is guaranteed in time for Hanukkah or Christmas!

Do you love noise music? Do you have fashion? Drop me an email if you’d like your image to be in forthcoming posts about noise and fashion