Les Hutchins & Polly Moller @ the Luggage Store

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Hey Bay Area people, I’ve got a show coming up on 3 January in San Francisco. Start out the new year with live music!
I’ll be playing laptop, didjeridu and some synthesizer. Specifically, I’ll be using my live sampling application, as heard in Paris, Berlin, the Hague and now San Francisco! It will be a duo with monster-flutist Polly Moller. (Note that she is not literally a monster but her flute playing is what you would get if King Kong or Godzilla played flute – and were really good at it.)
If Polly’s name sounds familiar with you, it’s because she was the lead of the flute-fronted rock band that I played in some years ago. Her flute playing then, as now, was full of agro tones and weird-awesome sounds that you don’t expect from a flute. She’s also really fun to improv with and her sounds work really well with electronic processing. I can do stuff with her that I haven’t been able to do with other flutists.
(Also, just to add, I’m awesome too.)
The show is at 1007 Market St in SF at the Luggage Store Gallery. It’s easily accessible via BART or muni (take the N line from the Caltrain station). Admission is $6 – $10 sliding scale. But if all you’ve got is $3 or $0 or something, they’ll still let you in.
The show starts at 8 with Jen Baker (Trombone) and Damon Smith (Double Bass). Those two formed half of the Just in Time Quartet, of which I was a member. Damon was also my bass teacher. He’s really cool and knows how to throat sing. Jen is also cool, but I don’t know her work as well.
Then at 9, Polly and I are on for 45 minutes or so.
I know some people have been curious about my Evenfall Minimodular synth. Polly describes it as “vintage” but it’s less than 10 years old. They are, however, rare. A guy in the south bay made them. At the time they were new, they were absolutely your best bet for starting into analog synths. It’s small, portable, yet a fully featured modular. Like an Arp, it has a bunch of normalized connections (it doesn’t need to be patched, but can be). And it’s got a MIDI in. The Evenfall guy thought it would be a raver’s dream. I don’t know if the trance/house folks ever got into this, but, it really should have been their dream. It’s flexible enough to be anybody’s dream, since it’s modular. I’ll be patching it and otherwise being arty. So here’s a chance to see / hear it in action.
The poster image is kind of random. I was hoping to find a picture of Polly and I together, but then gave up and used this snapshot I took of a peace sign at the Cesar Chavez park

Gigs!

I’ve mentioned that I’m playing soon in Austria (12 July in Lintz). The information is here. Note that the concert is open to anybody at all who wants to attend, whether they are participating in the rest of the conference or not.

I think playing at hacker / open source meetings is a good idea. I’m looking into using Perl to talk to the SC server, just so I can submit a proposal to a Perl conference. Of course, I spent some time as a professional perl scripter and I once wrote a web server in it for fun. My first-ever SuperCollider project had quite a bit of perl in it, as SC3 was really very alpha at the time. so it’s not just a cynical ploy to get to play at a geeky gathering.
Also, leftist political conferences are a good fit. I’ve got American political music, for sure. I keep thinking about doing more of it, but my ability to manipulate non-English text is lower. I think I will do such a piece for the /etc conference, as I recorded a friend of mine speaking in French about feminism. (Do you want to be in the piece? Send me a recording, in any format, of yourself, speaking in any language, answering the question: “Are you a feminist? Why or why not?”) Anyway, there’s certainly plenty of American material to work with, alas.
So if you, dear reader, are doing some sort of conference about open source or hacking or programming languages or leftist organizing or any related field, you should drop me a line. Depending on the location, I may be able to cover my own travel expenses. I have no technical needs, aside from electricity and a sound system. If the venue is café-sized and/or in Holland, I can even provide my own sound system.
Hm, if only I had a few pieces in Esperanto . . ..

Travelin’ / Upcoming Concerts

I will be playing in Berlin on May 18th at Zentrale Randlage as a part of a conference going that weekend. I’ll be playing tuba &/| laptop and Nick Fox-Gieg will be playing computer and doing visuals. It will be cool. Our part will only be about 12 minutes. I don’t know what time, yet or much else, really.

And I will be playing a short set of a larger “show and tell” concert in The Hague on May 24th. The venue is Verhulstpl 17. I don’t know what time yet. I’ll probably be playing some tape music, but might also do some live laptop.
I’m leaving Sunday to go to France for the Joan of Arc festival in Orleans. It turned out to be cheaper to buy something called an interrail pass instead of buying a ticket to Paris and another to Berlin. Theoretically, this means that I can go anywhere within commuting distance on the 21- 23 May or 25-27 May. Realistically, this means: Netherlands, Belgium, Luxembourg, Germany, France maybe Denmark. It would be nifty if I could play some music someplace, since my transit is already paid, but, yeah, it’s way last minute and I’m not sure who to contact.
Xena now has a very official looking pet passport. It’s a little blue booklet with a Netherlands flag and an EU flag on it. Getting citizenship in the Netherlands is so easy for dogs! she can legally travel all over the EU (except for England). I got her a trailer yesterday, so I can pull her around with a bike. The trailer doubles as a crate/ “pup” tent. (ha ha ha). I’m now looking for a human tent. The idea is that camping is cheaper than hotel rooms. The reality is not so clear however.
Long-time readers will recall that last summer, I was planning a bike trip, but got lyme disease and had to cancel it. This year, hopefully, I’ll avoid dread disease. Nicole, Xena and I will be heading out along the Loire, following the route of Jeanne d’Arc on the the anniversary of her having travelled that way. Except she got to ride a horse and not tow a dog. On the other hand, she was wearing armor and had the constant risk of death, so I think it will be more fun for me than it was for her.

Concert Announcement

8 Oktober: Over tekst en muziek – Kader Abdolah

Kader Abdolah – lezing over de relatie tussen tekst en muziek
Han Buhrs – zang, live elektronica
Joseph Bowie – trombone, zang, live elektronica
Luc Houtkamp – computer, saxofoon
Guy Harries – computer, zang
Celeste Hutchins – compositie, computer
Kader Abdolah, Nederlands schrijver van Iraanse afkomst, zal een lezing houden over de synthese tussen poëzie en muziek in de Perzische cultuur. Abdolah heeft met het POW Ensemble een voorstelling gemaakt voor het Crossing Border festival 2005, waarin de gedichten van de Perzische dichter Jalaluddin Rumi een centrale rol innemen. Bij het werkproces aan dat project is het ons opgevallen hoe nauw muziek en poëzie in de Perzische cultuur samen vallen. Kader Abdolah heeft over dit gegeven veel te vertellen.
De relatie tussen tekst en muziek is een onderwerp dat het POW Ensemble ten zeerste bezighoudt. Het ensemble legt de verbinding tussen beiden op een eigentijdse manier door gebruik te maken van computers. Op dit concert zullen we laten horen wat de mogelijkheden van deze werkwijze zijn.
Daarnaast zal de Amerikaanse componiste Celeste Hutchins haar composities Meditations pour les Femmes en Faux-bourdon Bleu te gehore brengen.

Plaats: Galerie <TAG>, Stille Veerkade 19, tel. 070-3468500 Aanvang: 16:00 uur (deuren open om 15:30)
Toegang 5 euro (studenten 2,50 euro) Passe partout voor 4 concerten: 15 euro

Which is to say that I’ll be playing 2 pieces in a larger concert on October 8 at 4:00 PM at Galerie <TAG>, Stille Veerkade 19, The Hague. Tel. 070-3468500. Price is 5€ or 2.50€ for students. If you want to go to the whole series (you missed the first one (ack, I forgot the first one)), it’s 15€.
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Scitilopolitics

Celeste Hutchins
Music 222
Final Project Notes

Scitilopolitics

Program notes:

Researchers have discovered that if they take the syllables of a word and play them backwards, but in the correct order, people will be unable to hear the reversal. This piece explores how backwards things have to be, before you can hear it.
The male voice is George Bush. The female voice is Jessica Feldman reading text from Jeffner Allen, Lesbian Philosophy: Explorations (Palo Alto: Institute of Lesbian Studies, 1987)

Essay:

I wanted to write something that could only be done with a computer, so granular synthesis seemed link an obvious choice. My friend posted about the syllable reversing thing in his blog several weeks ago, so I thought I should try that. I decided to use Bush, because everything he says is so very backwards. I searched CNN.com for aiff files of Bush speaking and only found two good ones. One was him speaking about the ABM treaty, but my wife just wrote a piece using that one (also premiering 8:00 p.m. Dec 10th, but in Paris), and didn’t want me to use it. The other one is the one I am using, where he gives a speech about terrorism and destroying American culture. One of the students in MUSC 220 used the same audio clip for a different sort of tape project. I had been thinking about the subtext of the speech since hearing that project and about how to make Bush’s real message – his desire to destroy pop culture – clear. Repeated listening, which this piece contains, helps get people hear the real message behind the seeming non-sequiturs of the presidential speech. To make it clearer, I splatter key phrases, using the same reversal algorithm, out to any one of the 4 speakers. As the piece progresses, I add additional sound-bites, from the ABM treaty speech and from press conferences where Bush talks more about foreign policy.
After Bush winds down, I launch the contrary text from Allen’s book. I run the algorithm in the opposite direction, because I take the opposite view of the words. Allen also talks about violence, terrorism and victimhood, but unlike Bush, everything she says is true and real. Her words are ultimately empowering to her reader, giving her readers freedom instead of taking it away. Her viewpoint is equally extremist, but exists in reaction to the sort of evil that Bush proposes.
Also, I find that listening to Bush talk about destroying culture for 5 minutes makes me very tense and Jessica’s soothing voice talking about women uprising against men is an antidote to Bush’s evil rhetoric.

Technical:

I put the splattering in a routine, because I found it hard to fight my impulse to send out bushisms in all directions as key words popped up. The texture was always too dense. and I thought it would better to not necessarily have the highlighted text match what was just said. Doing a computer implementation was much easier than teaching myself to play the piece. The Allen quotes at the end are still manually triggered, as it’s easier to manually put them in the right spot than to get the computer to do it.
I always have an instinct to generalize software that I’ve written so it could take any audio files and do the same piece, or make it very general so it could do a number of related pieces. This is not always a good instinct, although the reversing routine might come in useful. It is already stand-alone. The maxTimesThroughLoop variable may not be useful going in reverse. Would you want your loop to start from the largest possible grain and run N times? Or start from N loops from the smallest possible grain? My instinct is that the second case would be more useful, but the first case is what would happen currently.
The weighted averages of buf2 in the splatter routine are kludgy. While the splattering code works, I wouldn’t want to invite it to dinner parties. The three while loops are especially awful. If I want to do more with this piece, I would fix the splattering. But for now, it works. My old boss used to say, “worse is better,” as in, it was better to release something that worked than work forever to make the most pristine thing in the world. You could fix it later. He also used to go through and remove comments from code, saying that the code itself was truth and comments were distorting, so I don’t think he always gave the best advice on programming. If someone took out the comment around figuring out what number should reside in timesthroughLoop, for example, I would be hopelessly confused.

postmortem – blog comments

The concert was sparsely attended. only around 4 spectators came. my piece crashed right near the end of the George Bush section, so the radical feminist text was not played at all. Ron, the prof, said that Ashcroft had gotten in my computer. I was using a different computer than i had used to test and develop (and compile the intrepretter on) the piece, and i think that may have been a factor. so i’m going to get a laptop this week. as a student, i won’t have to pay for it for a long time. i think i can pay it off over a year with an interest free loan.
and christi did Working Girl instead of the ABM tresty piece, perhaps due to a shortage of elephant samples. I will be going to the library on monday to return my interlibrary loan books, so if i take my brain with me, i’ll check out some elephant tapes.

Concert

Tonight was the Graduate Composition Seminar concert, officially titled Five Minute Wonders. We all wrote five minute pieces. A lot of people came to hear them. Really a lot. I was impressed.

We started setting up at noon. I finally left the building at about 11:30 pm, after striking. (Striking as in, striking the stage, not as in doing a walkout to protest long hours).
My piece seemed to be well-received. I’ll have a recoding of it to post later. I would like to hear it again, perhaps played by a pianist who had more time to practice it.
the second half of the concert was a performance of John Cage’s songbooks. It is an extremely silly collection of “songs.” I can probably be burned at the stake at Wesleyan for calling it silly. For one of my songs, I was to attack a microphone to my throat and drink cognac. I got concerned about drking cognac without eating immediately beforehand. Fortunately, one of the songs in songs books says eat or drink three things. Jascha made an arrangement with a local pizza place, so that they would deliver pizza during the performance. the pizza delivery guy was actually Neely (the professor in charge)’s grandson.
when the pizza guy came on stage and I handed him cash, the audience was luaghing like crazy. I could barely stop giggling. So I ate some slices of pizza and then sipped my cognac. I had been practicing drinking cognac the last few evenings, with the idea that it would be good to know how to pace myself and build up my tolerance a bit before the concert so as to not be drunk by the end of the performance. So at the end of the performance tonight, I was disturbingly sober.
this problem has sicne been fixed.
tomorrow is a symposium about sacred spaces. Most about medieval christian music. so i’m going to most of it. hopefully it will somehow aid my paper.
speaking of my paper, i realized last night that the dissertation-copy of the play (the one I’m writing about) that I have is in medieval french, instead of modern french. I don’t speak modern french either, but i really don’t stand a chance with old french. But I have a book out of the library which has it in side-by-side translation into modern french. joy! but that book was due today with no renewals. I knew I had no time to do anything about this. with a heavy heart, I went to plead with the Inter Library Loan office.
I am dedicating my next piece to the ILL office, especially Kate. She told me just to hang onto the book. I’ve never had a librarian tell me to just let something get overdue. So Sunday, I’ll be photocopying all the pages with musical pauses. Fortunately, this is only about 400 pages or so. arg.
I couldn’t get a paper today, so i dunno if they printed my letter. i wonder how i would find out?

Moving on Out

Other Minds’ Newest Board Member

Last Tuesday, I was elected to the board of Otherminds. I was asked to speak about myself and had no idea of what to say. I knew that I would have to, but when asked, my mind went blank. Things that I could have mentioned and didn’t were numerous. Despite being in the presence of the founder of the Just Intonation Network, I did not mention my membership nor my work on the Java Just Intionation Calculator. Nor did I talk intellgiently about the music I write. But I did talk about the history of the tuba and related brass instruments. I guess Charles must have said good things about me. anyway, it’s clear that I’m going to have to write a spiel and memorize it. I’ll need to have different versions of it depending on how long I need to speak.
Afterwards, Carl Stone showed up and he, Charles and Jim Newman were going to go out to dinner. Christi and I were waiting around to go to dinner with Mitch, so we all ended up going together to a Tapas place at 16th and Guerro where Carl Stone’s cousin’s husband is the head chef. This translated into free desserts. Charles once again impressed upon me the need to write down witty things that people say and to keep a diary so later when someone asks about what composers that I’ve met (because they are wirtting the difinite biography of witty things said by a particular famous composer), I’ll be able to regale them with facinating stories about going to restaurants after board meetings. With that in mind, it was a delightful evening. Carl Stone is very charming. I had met him once before at Charles’ Christimas or New Years party and he remembered me from then. He’s been teaching in Japan. He was talking about how terrible meetings there were, but as he cannot read or write Japanese, most of it went over his head and he spent his time in meetings by responding to email. He said they spent over an hour on one occasion discussing the locations of ashtrays around one of the buildings.
The food was great and sufficient vegan-ized things were available. It was nice to get a last visit with Mitch. after dinner, I hopped on Bart to go stay at Polly’s house. “Naiomi” also arrived. (Name changed for reasons that will become clearer as the story progesses.)

she said, “let’s go to Vegas, man

The next morning, we got the rental van and drove it back to Polly’s house. Actually, Naomi drove it. We weren’t in a hurry, but she drove as if we were. She was a terrifying driver. I swear she alomst rolled the van. Well, I dunno how hard something has to pull to the side before it actually rolls, but it was the most sideways force I’ve yet experienced. “Oh, it doesn’t corner well.” she said. As she was driving in the fast lane down the freeway at highspeeds, she was about five feet behind the car in front of her. “Oh it doesn’t break well.” she said. We got mightily lost, but finally arrived to load the gear and set off for Vegas, and, thankfully, Polly drove the whole way.
It was my first time seeing the Mojave desert. It’s got big basins surrounded by hills. Really big, crater-like basins. And darn, is it hot! It’s hot all the way to Vegas. Really darn hot. We got to the Vegas strip just as the sun was setting. In case you have never been there (and this was my first time), It’s not nearly as glamorous as the movies make it to be. At least the end I was on was not as glamorous. I think “glamorous” means “a lot of lightbulbs.” We were staying at the Rivera Hotel. The bellhop cmae to help us with our gear and started dropping everything. Polly made a wild grab and caught her mixer as it tumbled towards the pavement. We clustered nervously around the lacsidasical belhop, on the ready in case he dropped anything else. After he left, I anxiously called Christi and asked her to repack all the boxes of dishes that I had just packed. Polly came and introduced me to Robert Dick. We chatted for a few minutes and then they went to catch up. Naiomi and I decided to go to Circus Circus. I know of this casino because of the movie Fear and Loathing in Los Vegas. In the movie, the lead charecter takes acid and then sits at a Merry-go-round themed bar while surrealist, scary clowns lurk menacingly. We found the rotating, merry go round bar, but there was nothing menacing about any part of the casino. It was crawling with children who were excitedly playing midway games. I was slightly disappointed. Vegas seems to be like american culture concentrate. Add water and you get a strip mall. they did have a short free show have fantastically talented jump rope acrobats. Naiomi dumped several quarters into the slot machines. She won all of the first several games that she played. Then she wanted to buy stuff, so we went to several gift shops. Then I was tired, so I went to bed, but we stayed up talking far later than I anticipated.
Naiomi and I slept late the next morning, although Polly got up when the clock radio, set by the previous occupant, went off at 7:00. Christi called and said that I could have Tiffany’s Bjork ticket if I could get back in time. Bjork was playing on Friday night in San Francisco. I hadn’t bought my own ticket because I was supossed to drive the van home that day and didn’t think I could make it in time and didn’t think I could make it in time. But the offer was tempting, so I approached Naomi and asked if she would be willing to leave early and drop me and my gear off in Berkeley and take the van and Polly’s gear south by heself. (Polly was planning on staying for the rest of the convention to network with flutists and try to get gigs based on our show.) As Naiomi lives in the city, I figured she would have an easy time getting back via BART. She became very excited and called someone to find out if there will still tickets to Bjork available, so she could go to the show too. She wondered if we could leave extra early. I said that 8:00 would be a good time to set out and added that I thought we could come back faster if we went throught Yosemite rather than Bakersfield. I called Christi and found out that Bakersfield really was the fastest route. Naiomi wanted to leave earlier, maybe 6:00 AM, maybe right after the show and we could drive all night? I said no, since I was anticipating staying upp all night friday night packing. I need as much sleep as I can while in Vegas. I could sleep while she drove? No, I can’t sleep in cars. She was getting agitated, wanting to leave earlier and perhaps drive as fast as possible. I was becoming increasingly concerned about becoming a traffic fatality statistic, since her driving was irratic when she wasn’t in a hurry. I told Polly about Naiomi’s driving. We had been planning on adding my name to the rental car contract anyway (they would only allow two drivers when we got the car, and I won at rock paper scissors), so we looked up the location of the closest office for our rental agency. It was only a mile and a half down the strip, so we had the very bright idea of walking. It was 3:00 in the afternoon and the heat seemed to be at least 105 F, perhaps higher. I was dying by the time we got to the parking lot to get the paperwork, but I’m on a mission to combat my whinyness and did not contest the plan to walk. Clearly, it seems, there are times when being whiny is essential.
We walked more than a mile and a half in 45 minutes in the scortching midday heat. Only mad dogs, englishmen and stupid tourists… There are vending machines on the strip that sell water for a dollar a bottle. It’s a racket. They could charge $10 a bottle. We stopped at drug store on the way and I bought cold chocolate almond milk (vegan food in vegas? arg! I was hungry hungry. All I could find for lunch was “chinese” food: boiled cabbage in sauce). We got to the car office and collapsed. We rode the bus back to the hotel. I felt like I might loose all my almond milk. We were all dizzy and sick. I stuck my head in the bathtub and ran cold water on it and then conked out for a nap and then woke and drank a lot of water. Naiomi went out, while I napped and put a lot of money into slot machines and other games of chance. She came back later and was feeling extremely ill. She was trying to “win back” the $50 she lost on her previous Vegas trip. At some point, we had a conversation about how gaming is regulated. She was surprised to hear that the amount of money the casino gets to keep and has to give away in prizes is set by state law. The odds are titled in the favor of casinos, it is not random. The slots by the door really do win more often. Seriously.
Finally, after we had all recovered, it was time for our sound check. Will, Polly’s brother, was running our sound for us. He’s an actor and is perfectly and completely charming. The hotel’s sound guy did not understand how we were going to set up. I talked to him for several minutes but was unable to convey any meaning. Will explained that it was ok and started running cables. He set things up in the only way that the sound guy said would work. The drums were way too low in the monitors. I had several ideas about how they could be raised, but this was the only was it would work. We played a few songs and souldn’t hear the drums when suddenly Will had an idea about how to raise the drum level. Later, Will told me that he knew how to have a seperate monitor mix all along, but there’s a certain way that union sound guys must be approached about sound. First, they must be befriended. Polly’s idea of using her brother for sound was perfectly brilliant.
We hung around waiting for our time to go on, while Naiomi pushed me to consider leaving earlier to get the Bjork show and I became pretty certain that a traffic accident was in my future. Naiomi had a pink mohawk, which strangers would comment on. Of course, making comments to strangers about their hair is rude, even if it’s as benign as telling her that she should spike it up instead of letting it lie flat. She had confessed to me that she wanted to punch people who made comments. In my past, I had a blue mohawk and when I had it, many, many peple commented on it. People would regularly tell me to spike it up or ask how it got to be blue and generally wanted to ask questions about it. Such is life when one has a mohawk. Naiomi just got angry. She also became extremely angry when the elevator stopped for someone on the way down and the guy got on a different elevator that also stopped. “That asshole stopped our elevator and didn’t even get on it, he got on that other one first.” I suggested that it might not be his fault and perhaps it was the fault of the hotel for summoning multiple elevators on a single button push. “You think so?” she asked, quite seriously and still angry at the hapless elevator traveller.
anyway, while we were waiting to go on, the opnening act was becoming alarmed since it was time for him to go on and his bassist had not yet arrived. since folks at home keep telling me what a great bassist I am, I told the guy that I could fill in, especially if he had charts that I could read. Thank goodness that his bassist arrived. That guy was one of the finest bassists that I’ve ever heard. He was playing a five string Carvin bass with a fantastic tone. Since the band had never played togteher before, the flutist would play the bassline to him once at the start of the song and the bassist would play it perfectly, as funky as you’ve ever heard, occassionaly making appropriate and highly funky fills. In nearly every song, he also improvised extremely textured and intricate bass solos. In one of them, we was simultaneously playing an improvised bassline and tapping out a solo on the high strings. It was synchopated and perfectly in time. That is what a great bassist can do. And that guy was just another Vegas bassist, once of hundreds if not thousands of bassist in this country who make a living just playing gigs as needed or as a studio musician. The world is crawling with highly proficient, professional and completely musical bassists, of which I am not one. Not that I don’t appreciate compliments. I must not beleive my own hype.
So I spent the whole first act comparing myself to the amazing bassist and consequently, when I got on stage, I was terrified of screwing up. I normally get stage fright. My heart beats fast. My palms sweat. I act foolishly before I go on. When I play with Tennis Roberts, I calm down as soon as it becomes clear that a train wreck is not going to destory us. However, Polly had a much larger audience and I psyched myself out more than usual. I thought I must have looked terrified through the first several songs. It didn’t help that Naiomi was playing guitar very tentatively and came in late several times. She ended one song many bars too early and, of course, the drum track kept going. I felt like we were in danger of slipping from the beat. Normally, it is the repsoncibility of the bassist to keep the beat together (so says Bass Player Magazine), but it is doubly so when the drum are pre-set. Anyway, as a consequence of being highly fearful, I was also highly focussed. I knew exactly where I was in every song and exactly where the beat was to a degree that I don’t normally in practice. I realized that I was playing very solidly. I was on FIRE! And as I became confident, the break came and Polly did some solo pieces without backup and I got nervous all over again and was definitely not on fire during the second half. As the show went on, I felt like my playing was getting weaker, but it was getting later and later. We didn’t start until almost midnight, so by the time I was on the wrong beat on the last song, there were only five people in the audience. If I’m going to screw up, I’m going to do so as confidently as possible in front of only a few people. I tried to look as if the one was not ususally on the one.
afterwards, the few remaining folks, who were all friends of Polly’s talked to us and when I said that I had been pretty much terrified the entire time and been off-beat on the last song, they said that I looked “cool as a cucumber” and that it had all sounded very solid. And it was easy to tell at the start of the show that the audience was loving it (at the end of the show it was very late and everyone had gone to bed). Several people were chair dancing. There was cheering when Polly announced that she was going to play a Dead Can Dance cover. Polly was definitely on fire. She had a great stage presence throughout. The folks watching soaked up every naunce and would go anywhere that Polly lead them. she was completely fabulous.
Polly’s mother, Polly, Robert Dick, Naiomi and I went to get beers afterwards. Robert is extremely friendly and it was very nice to get to talk to him. He told me to say to Ron Kuivilla and Alvin Lucier from him. Polly’s mother is also very charming. She was extremely proud of Polly’s performance. She is really sweet. Finally, we went to go to sleep. At 3:00 AM, I was sleeping sitting up, leaning over my gear, waiting for my turn to use the bathroom. Polly went back out to do more partying and just Naiomi and I were left in the hotel room. She was setting the alarm to off earlier than our agreed-upon time. I said, “Naiomi, there’s no way I’m going to be able to get up before 8:00 tommorrow morning. I’ve got too much stuff to do this weekend. I’m moving and stuff. I’m really sorry, but this is why I didn’t buy my own ticket to the concert.” I then passed out as I said “goodnight.”
Naiomi did not say anything. She did not turn out the light. As far as I know, she didn’t move. I felt tingling at the back of my neck and finally turned to look at her. she was glaring at me with narrowed eyes and a bitter rage. She said that she wanted to leave at our agreed-upon time. I had been thinking about our schedule and had realized that there was no way we could get to an 7:00 PM concert in San Francisco if we left Vegas at 8:30 AM. There was likely to be traffic at both ends and we had to unload the gear in Berkeley and Burlingame and then return the van to the San Jose airport. I could clearly picture the trip. I would be driving, refusing to give up the drivers seat while Naiomi angrily urged me to go faster and constantly offering to drive and finally demanding that she should drive, which I could not let her do or I would end up rolled over on the side of the road. I could also picture the return trip if we left later. It would be exactly the same except she would be bitter towards me from the start. Maybe we would ride in silence the entire way. I was already counting the hours until I never had to see her again and it looked the last hours were going to be very long. So I declined leaving at the earlier time and said goodnight again and fell back asleep.
The light still did not go out. I was exhausted. The day had not been relaxing. I had heat stroke and then I had been in the grips of stage fright for more than an hour long show. It was a whole lot later than I normally go to sleep. Maybe a minute later, maybe and hour, maybe a second (certainly after I had again faded from consciousness), she yelled, “I just don’t see why we can’t leave now and you can sleep in the car!” It’s hard sleeping when one is convinced that one is about to be horribly maimed in a car wreck, even if one is already completely exhausted. And regardless, I’ve never been able to sleep in a car. (This conversation, btw, is recorded here very near verbatim)
“Naiomi, we’re not dating. Please don’t wake me up to yell at me. I can’t sleep in cars. goodnight.”
“Why can’t you?”
“Alas, I’ve never been able to. Perhaps it is an as yet untreatable physiological condition. goodnight.”
“I’ve always wanted to see Bjork and I might never again get a chnce to see her in my whole life!”
“It’s highly probable that she will survive this tour and decide to emabrk upon another one during which time you would likely be presented with an oppotrunity to see her.” I gave up on the ending goodnights as a good night was seeming to be an increasingly remote possibility.
“She’s a huge influence of mine . . .” she started into a speech which I don’t recall (and probably tuned out at the time) about how it was imperative that she go to see Bjork.
I pointed out that she had not known about the concert until I had told her about it. She argued further, hoping to wear me down rather than convince me, I think, since she was too threatening to be convicing.
“This is not my problem. Parhaps you can take a cab.” I was not going to give up.
“You can’t take a cab to the City from here, but You could fly!” she exclaimed, siezing upon a possible solution.
I considered it. Travelling seperately had never looked so attractive. I would get back much earlier, have time to do more packing, get to see the concert, etc. But how would I get my gear back? And moving expenses alone were going to hit my credit card pretty hard. And I was not going to give up. “Alas, it’s not in my budget. Perhaps you could fly”
“Well, it’s not in my budget either!” she yelled quite angrily. I think that around then she stomped out.
I lay in bed with wide open eyes and my heart racing from tremendous amounts of adrenaline. Her bitter rage plus dregs of stage fright anxiety made for a very powerful fight or flight responce. I began imagining the things that she was plotting to do to get revenge. “Fly!” my instincts ordered. But where could I go? The casinos would be open all night, but to be in there, I would have to be awake, and this entire conflict revolved around whether or not I was willing to stay awake all night. I still needed to get whatever sleep that I could if I was going to be prepared for the mvoers coming on Saturday. Tracking down Polly also seemed like a bad idea. She had her cell phone, but I doubted that she wanted to hear about squabbling in her rythm section. And due to her boy craziness and the late hour, I figured that I would probably not see her again until morning. Anyway, I was being unreasonable. Naiomi wouldn’t strike out in revenge. True, she had said she wanted to assualt someone for stopping our elevator, but . . . uh . . .. I was in the grips of creeping paranoia.
A while later she came back in. I feigned sleep, but knew extactly where she was at every moment. She started digging through a drawer. I looked up. “What are you up to?” I asked.
“I’m going to see about getting a flight,” she said holding her cell phone. She no longer looked murderous, but merely the kind of very annoyed that I had expected from trying to change our plans.
This was a wonderful idea! “Continental has a hub here. you can get up to 70% off last minute flights from them,” I told her. She brightened and returned to her normal state and thanked me genuinely and gratefully and left again to make calls.
And I lay in bed wide awake, still considering revenge schemes she might launch upon me. She came back in later and started packing up stuff. I pretended to be alseep. What if she was stealing all my stuff? My run-away paranoia promted. That would be ok, I reasoned and stayed still. she came back two or three more times, waking me one of them to ask where the rental van keys were. Still paranoid, way beyond reason as she had completely calmed down and was acting normally and anyway had never threatened me, I wondered if she might be planning on taking the rental van. That would also be ok. Finally, around 5:00 AM, she left a perfectly friendly note to Polly and I explained that she had all her stuff and wishing us good trips home.
5:00 AM, coincidentally, is about the time that people start waking up to take showers. The pipes started making loud pipe noises, which I could not identify. I had not yet slept. I wondered if one of the flute convention attendees was fighting insomnia by practicing long tones on a newly purchased bass flute. I wondered if Naiomi had somehow sabotaged the bathroom. I wondered if I was a big loser for getting in a giant argument defending my desire to sleep, only to have it result in my getting no sleep whatsoever.
Polly came back around 7:00 and started quizically looking around for Naiomi. I sat up and explained what had happened. “She’s fired.” Polly said. I said that Polly shouldn’t fire her on my account, sicne I was quitting anyway. Polly said, “As far as I’m concerned, she abandoned her band mates to have to deal with all the gear by themselves.”
I’ve never been so happy to drive alone through the boring, miserable desert. And I never have to see Naiomi again.

My life

Music

So the two bands I’m in have been in high-intensity rehersal mode. Tennis Roberts was gearing up for it’s first public gig and Polly’s flute band is preparing to go play in Vegas next week. So TR practiced on Wednesday and then played on Thursday. We didn’t do as much publicity as we should have. A woman who likes ED came and another woman who I used to play in a band with and her friend and these two guys that nobody knew. That was our entire audience. The two guys were in the back yelling “Slayer!” whenever ED played, cuz they were mocking his heavy distortion. They were making “satan” heavy metal hand getures. “Rock on!” they yelled. We were mocked by our sole “stranger” audience members. Christi was also there running sound and Polly was our opening act.
One of the two guys looked really familiar, so I wanted to talk to him after Polly said she didn’t know him, but he and his friend left before our set was over. Christi later identified him as Amy X Neuburg’s husband. Maybe he remebers meeting me at the Other Minds festival? Maybe he just saw us listed on the Transbay Calendar?
Yeah, so it would have taken 35 people to break even and as we fell a bit short of that, we owed the club some money. the people working there liked us though and said next time we could just split the door 50/50 so we wouldn’t owe them if we had attendance. It turns out that another Matthew Sperry memorial concert was being held at the same time, featuring Pauline Oliveros. And then at the last minute, Tom Waits decided to play. So all the New Music types, except those two guys, were prolly across town watching Tom Waits.
Since I’m about to move, that was probably Tennis Roberts’ last gig as a quartet, unless we suddenly get a call in the next couple of days. The band wants to stay together as a trio. They’re concerned about rehersal space, but Mitch’s bathroom is more than big enough to fit a trio. Instead of being a “garage band . . ..” Also, a bathroom would give experience playing in echo-y noisy enviroments and high humidity. If we rehersed in the bathroom, we’d have been better prepared for being on the tiny stage at 21 Grand.
In other news, the Fender Rhodes works now. I tuned it tonight.

Moving

So I’m putting things in boxes and stuff. I just faxed a lease application to CT. Tommorrow, I’ll overnight the rent and deposit. I’m a bit concerned about signing away a lot of money and two years on a place that I’ve never seen. The lease agreement is insanely restrictive. Don’t sneeze in the hallway. Well, not really, but close. I’m probably not allowed to modify the heater to run on biodiesel, but as it’s not specifically outlawed (unlike, say, shaking rugs out of windows), I’m sure it’s fine.
Tiffany moved out today. Her spot is empty. She’s gone forever. sniff. It’s very very empty seeming downstairs with everything packed out and Tiffany gone. It’s lonely.

125 People

Approximately 125 people will come over to my house tomorrow. Actually, today. That’s a lot of people. We failed to get a band or even a string quartet, but we did get food, wine, beer, soda pop and chairs. Nothing to listen to, but something to sit on. I’m kind of chagrined at the lack of live music. We have a todo list for tomorrow:

  • get chairs
  • flowers
  • ice
  • put tuba in storage
  • pick up food
  • buy a nice shirt
  • get grandpa from the airport
  • pick up the keg
  • clean out ice bucket
  • get ice
  • clean catbox
  • close closet doors
  • mail rent check to CT

I can’t understand why the divorce rate is so high. It’s time for bed.

Born on the Fourth of July

History

My cat, Roz, was born on the fourth of July. Christi says that the cat is six years old. Where have all those years gone? It seems like yesterday that she escaped from the carboard box I brought her home in, to under the seat of my truck. I think I had to take the seat out of my truck to retrieve her. Or maybe this story grows with the telling. But somehow, I had the idea that the cat would be a cat for Christi and not for me. When I got home, she disabused me and thus the cat was mine. I don’t know what practical effects this has had, except that ourn cats are listed seperately at the vet and that I’m expected to take Roz with me to Connecticut, but not right away.

thursday

So Thursday was flute band practice. We spent a couple of hours trying out an acoustic guitarist who revealed at the end of his audition that he couldn’t make the gig. If you know an acoustic guitarist, or better yet, you are an acoustic guitarist, I’ve got a gig for you!

Friday

And speaking of gigs, on Friday, we drove to the fourth of July party that Tennis Roberts was booked to play at. The original word was that it was in Santa Cruz and that there would be a large, permitted fireworks display. Then it was revealed that the party was near Gilroy, but a lot of Santa Cruz people would be there. So Mitch, Ed, Christi, Tiffany and I drove and drove and drove and got lost and got unlost and finally met up with Chand. when we showed up, everyone there was wearing black wifebeaters (note to my grown up relatives: this is a type of tank top shirt) covered with white images of bones, skulls and bats (mammals, not baseball). The men had shaved heads and tatoo “sleeves” up their arms and were muscular. The women also had tatoos, but fewer of them and were not so muscular. Many of the shirts said, “South Bay Hardcore.”
Hardcore is a genre of music somewhat related to Norweigan Black Metal. It is charecterized by loudness, speed, virtuosic drumming, practically abusively fast and hard guitar strumming and sometimes also bass strumming. The guitar chords are typically dissonant and may include notes like the 6th. I know this because somebody in my History of Music Past 1850 class did a report on hardcore. I can’t remember a darn thing about what constitutes a reciciative or what the fuge form looks like, but hardcore I got. Anyway, hardcore lyrics are usually angry and often mysogonistic and the followers like to be tough all the time. It’s very hardcore.
Tennis Roberts is not hardcore. We’re wusses. Ack hardcore fans! They’re going to hate us! They’re going to assault us! So we started drinking beer and the organizer started hosing down the hillside of dry grass, in between his eucalyptus groves, so that fires would not start from his fireworks. The first band began to set up. Fortunately, it turned out that all the hardcore people were in the band, Sad Boy Sinister. They started playing as it was getting dark and people at the party started setting off explosions. I put in my earplugs, more for the bombs than the band and was happy that I didn’t bring Xena, since she would have run all the way to Hollister. The band was ok. The singer explained that they were back together after a breakup, which made sence cuz some of their songs were kind of rough. During one song, he stopped the band and said, “I f—ed up, let’s start over.” So the band started the song over again and the singer sang it exactly the same way the second time and then said at the end “I f–ed it up again.” Most of there songs contained the word “bitch.” One of them was titled “The Bitches are Getting Me Down,” apparently complaining about their girlfriends who were sitting up front cheering enthusiastically. Another song had the refrain, “Die bitch, die!” Around that time, somebody launched a firework up over the crowd, but not towards the wet hillside. It landed in the Eucalyptus trees that were next to the long driveway and started a fire. It looked to be about campfire size. A large number of people got up and started running around, trying to figure out what to do because the hose was way too short to reach the fire. I asked Christi, “How do you put out a fire with a shovel?” She became very alarmed (how many people really know how to put out forest fires?) and ran towards the fire. I was looking for a shovel, but couldn’t find one because someone had already grabbed all of them and dragged them to the fire. It was extinguished. The band on stage was confused, “What’s going on?” they asked, and then, “Should we stop or keep playing?” The sound guy told them to keep playing and they did, but apoligizing because the next song in there set was entitiled “Now it’s Time for You to Die.”
Later it was overheard that “had permits for fireworks” meant that the sherrif’s wife was at the party and thus the sherrif wasn’t going to arrest us. Also, apparently, there was a seperate party going on down in the strip mine bellow where folks were watching our fireworks.
So our band was on next. During the setup, there was a massive explosion up on the grassy hill. Apparently whoever had brought the fireworks decided that launching them up into the air might be dangerous, so he had ignited them pointed at the ground. Fortunately, that was the last of them, I think. This was our first gig with amentiies like monitor speakers. Hearing your sound at high volume coming at you is way different than practicing in a basement. The levels were screwy, not because the sound guy wasn’t great, but because we weren’t sure what to tell him. Next time, I think I’ll ask for the monitors to have same mix as the audience hears. I mean, it’s not like there are acoustics dums sounds that we could rely on. It was nice to hear Ed turned up to high volume. Whenever we would play loud dissonant angry things, the hardcore folks would cheer. Halfway through our set, half the audience got up and left. It turned out that they were in the next band. Just about everyone at the party was in a band or came with a band. But it was cool
the soundguy played in the third band. I started making up for my relative sobriety. But, we wanted to go home because it was late and long drive, but we stayed to hear several songs, since we may split a future engagement at 21 Grand with them. They played some coveres and some original tunes. Their songs had some intense, complicated parts that must have taken a lot of practice. They were pretty good.

Saturday

finally got to bed around 3:00 AM. Chand called at 9:30, very chipper, saying, “Hi! I just got home! I could totally do the gas station gig!” So I got out of bed at 9:30 and started trying to call Yakayo Biofuels. There is a new biodiesel buy-at-the-pump gas station open in Fairfax. Yakayo sais they were going to have some sort of party (originally a bbq, but changed for obvious reasons) at the gas station on the opening day to celebrate, but they didn’t get very much advance notice and put out a call at the last possible second for music, in the form of a stereo and some summertime tunes. I had volunteered the band to play, but the Chand said he couldn’t do it, but now he could, so I was awake and on the phone. When I finally reached everyone that I needed to reach, the gas station guy said that nobody had shown up so far, so we probably shouldn’t bother. But I was already awake. bleah. So we drove down to palo alto. Christi explained that she was unable to hear through her left ear.
We picked up Mitch and went to starving Musician. Ever since Peter told me that professional bassist don’t play out of combo amps, I’ve been feeling sheepish about my bass amp. The bassists in the other two bands had large, much more powerful looking bass rigs. Mine was too little and didn’t sound good. So I tried out bass heads and speaker cabinets, finally settling on a peavy 160 watt head and and 300 watt cabinet. The cabinet gives me room to grow… There were two identical cabinets, both the same brand and both 300 watt. they sounded the same. I wanted to get the bigger one, but Christi said it would be too hard to move, and she one. Size does matter, though, you know.
Bought more stuff in the south bay. Then went to dinner with my dad at a vegitarian restaurant in Palo Alto, named after the place in ancient Greece where the philosphers used to gather and discuss, uh.. philosophy.” our waiter helpfullly explained in quiet yet enthusiastic tones. The food was ok, but not great. Christi and my dad report that the non vegan dishes were very very good. You’d think that a veggie restaurant would have more than one vegan thing on the menu. But it was ok. My dad seemed to be doing ok. Apparently, he never wrote any haiku, which is too bad.

sunday

Got home late. And then up the next morning again to go watch a soccer match at Mitch’s house. Christi still can’t hear though her left ear and her throat is sore. But she wants to go out anyway, so we do. I have no idea who won the soccer matches. We brought paper and crayons so folks could draw drawing which will be the inserts to go with CDs that we’re going to sell one off. We have many drawings now. And we learned that Chand fell asleep right after calling me on Saturday and slept for the rest of the day.
Juraj was making apricot dumplings. They seemed pretty complicated. The dough was made out of taters and wheat flour and soft, german cheese and eggs and other things. then it had to be rolled out and then stuffed with apricots that had been halved, stuffed with a sugar cube abd some things. The whole thing had to be sealed, water-tight and then boiled until it floated. He made a ton of these things, switching to strawberries when he ran out of apricots. I didn’t try one cuz they weren’t vegan, but everyone who had one said they were really good. Juraj explained that he wouldn’t normally make so many of them, but there were a lot of people over. For some reason, people responded to this by making fun of him and calling him gay for the rest of the day. Euphamistically, of course. Apparently cooking desserts for your friends isn’t masculine enough? I don’t understand het boys at all.
Then many of us went for food, then I offered Mitch unwanted advice, put my foot in my mouth and made him feel bad. Ooops. So I stole my DX7 back and went home. This morning, Christi awoke with a full-scale cold, which explains her hearing problems and stuff. She’s in bed right now, a place she normally avoid when she’s sick. She’d rather run around until she gets pnemonia, than sit still for a minute to get over a minor cold.

More Gigs, Tatoos, etc

Thursday, Peter, the guitarist in the flute band, called to say that we couldn’t use his SO’s SUV after all. So Friday morning, I rushed out to get an oil change for the pickup truck and then we loaded all our equipment into the back and the three of us squished in and drove all the way to Eugene. We bonded. Talked about all sorts of things. I drove the whole way.
On the way up, I had shared Christi’s shark story. When Christi’s grandpa was a boy, his family drove to Florida and he caught a shark. He was so prous of this accomplishment, that the family was persauded to tie the shark to the roof of the car and drive back to California. Persumably, they planned to get the shark mounted or something. But it was summer and someplace right in the middle of the country, the smell of rotting shark became unbarable and the shark body was dumped in a stream. This story intrigues me. What happened then? Did someone find the hark? Were children henceforth disallowed from swimming in the stream?
Polly got excited about Black Butte, a small cinder cone next to Mount Shasta. There will be a song about this soon, I think. We got to Eugene and met Polly’s friend KC, with whom we were to stay. He explained that he just purchased a rental property and took us over there, where he stocked the fridge and said we could stay. Nifty. Then he took us to dinner at a good Thai place and give us an advance on the door for the Saturday gig.
KC and Peter stayed up talking into the night, while Polly and I slept. I woke up the next morning around 8:00, which is early for me, and went walking with Polly, trying to find the venue. We walked a long time and finally, I got some breakfast and she asked where we were going. We had passed it and so doubled back. And founf the bookstore Foolscap Books, our venue for the evening. It’s next door to KC’s new age shop. It was still too early for either place to be open, so we crossed the street to a Just Desserts-style bakery. Half of the things they sold were vegan. They had vegan muffins, vegan german chocolate cake, vegan parfait, vegan ecclairs, vegan cheese cake tortes, vegan everythign you could think of. The clouds parted overhead and angels sang and blew trumpets. I got a pumkin muffin. It was the best muffin I’ve ever encountered, vegan or non vegan. It was awesome.
finally, the bookstore opned up and we looked around and saw the PA. Peter finally woke up and came to look at the PA too. then KC’s shop opned, so we looked at that. Peter was full of questions about everything. The shop co-owner showed him all the ritual knives and explaine dhteir meanings and showed us a replica of the Sting prop from Lord of The Rings. Apparently, some neo-pagans want to rituals with short swords pictured in movies. The shop people showed us some stuff about cleansing rituals and a huge, heavy, shap sword that was for sale. Then Peter and I went with KC to Guitar Center while Polly went out to lunch with her friends from Portland.
I Peter needed strings. I just wanted to see if I could get a sales-tax free minidisc. No dice. I realized that I forgot my instrument cable, so I purchased one. Then we left so that Peter could string his acoustic guitar. We went back to our house and he unwound the lowest string and pulled it out of the groove in the nut. The nut broke. (The nut is the grooved piece of bone or plastic at the top of the neck that holds the strings over the finger board (and frets).) He and KC went back to guitar center to buy a new nut. I stayed behind and stared at charts, trying to memorize them better until I fell asleep in the living room. Polly returned and I told her about the nut and she looked highly alarmed. She had been getting progressively more nervouse about the gig through the day. So she went to meditate. Peter came back and started trying to pry the old nut out of the guitar. He spent maybe an hour. It wasn’t budging, so he and I went to a pro-level repair shop with his wounded guitar and the new nut.
The repair guy took out a tool and had the old nut out in two seconds. He looked at the new nut and declared that it wouldn’t fit. He went to a box of old nits and started fishing around for one that would fit and explained that he was doing Peter a favor, since they never fit, you always had to make a new one for the guitar. Nut sizes vary from brand to brand, from model to model and even from individual guitar to individual guitar. Apparently guitars have not yet experienced the industrial revolution innovation of interchangable parts. The repair guy said that he needed to make a new nut. It was approaching 5:00, the shop didn’t rent guitars and we didn’t know anyone to borrow one from. The repair guy had no leads on rentals. doom. the repair guy took pity and kept looking through his nut box until he found one that kind of fit. It was too short. He super-glued some stuff to it, shimming it up until it was almost tall enough. It was still too shot and too wide, but it was playable. Peter promised to send some repair work his way and we went back to the house.
I was trying to remember how to play one of the songs and it wasn’t coming to me. Polly was more mellow from meditating, but I was getting to be highly concerned. We wet up some speakers and did a run though. It was ok, so I felt better. I think we prolly all felt better. We loaded our gear into the truck and went ot the bookstore and set up. I was hungry, so while everyone else was sound checking, I went next door to get vegan tacos. Eugene is more vegan-friendly than Berkeley, I think. the Mexican place was selling big, one kilogram bags of Mate, just like the one Tiffany bought me several weeks ago. But they didn’t sell individual cups. I was still nervous. I knew mate would help. Should I buy a kilogram?
I went back Mate-less to sound check. We finished checking ten minutes after it was suppossed to start. The place was desolately empty. The openning act, a poet, was on her cell phone, calling up her friends, trying to get them come listen to her poetry. The organizers decided to wait half an hour in case more people showed up. A couple did.
The poet was awesome. I forget her name. She mostly talked about scoring chicks.
Then we were on. It went mostly without incident. I got off in the set list and had a refrain of panic where I didn’t know what song we were playing, but managed to get back on track. Polly introduced Peter and I. She said that I was a mills alum and that Peter had many other projects. We played songs. Polly did some solo stuff. By the time we finished, there were three audience members: Polly’s two freinds and one stranger. I made a resolution a few weeks ago to go to at least one concert a week. I’ve been falling behind on it, but I think I need to renew that resolution. People need audiences. The bookstore owner was apparently pissed to have made $8 on the show.
The sound guy, Sleeve, was excited that I went to Mills because he’s into noise music. Cool, a contact in Eugene. We broke down and went over to the dessert place and then went to a bar with just is three and KC’s neice, who was into Peter. After one round of drinks, we went back to our house and slept. It was around 1:00.
I woke up at 7:30 the next morning. I heard Peter and Polly talking to each other. Peter is not a morning person. I sprung out of bed, since it must be time to leave. It was 7:30. Peter crawled back to sleep, but I was up, so I had breakfast at a greasy spoon with Polly’s Portland friends. The woman was a wesleyan alum. She gave me her email address. She’s going to try to get her frat (it’s a co-ed frat) to host us in September at Wesleyan, so we could play a gig (or a few) after I left. Pretty cool. She gave me her email address She seems nifty.
And so we went back to pack up. While we were putting things in the truck, a barefoot guy with a banjo was walking down the street. I said I loved the banjo and he played a song for us and then went on. Eugene is a weird place. We left a nice note for KC and piled into the pickup truck and drove and drove and drove. It was much warmer on the trip down. we passed a thermometer that said it was 91 degrees F. No airconditioning. No radio. No room to move. We talked less on the way down.
Peter suggested we get off the freeway and drive though historic Dunsmuir, because he was curious and it would be a nice change of scene. We drove past the muffler man from Zippy the Pinhead. The one that Zippy goes to have talks with. There he was larger than life! My bandmates were not as excited as I was.
Finally, we got back to the bay area. We came over a crest and saw the twinkling of lights below and cool breeze washed over the car. Home! The only place with decent weather outside of the Mediterranean. We dropped off Peter at his home in Richmond with his stuff. Then went to Berkeley, where Polly dumped her stuff into her car. And there was christi, who I had been pining for all weekend. I told he that I saw the Muffler man. She said, “Really?? That’s awesome!” I definitely married the right woman. She had a cold and I was exhuasted, so we went to bed.
I slept past noon. Got up, ate some food, check my mountain of email, then went over to Precision to get a tatoo of a bass clef on my arm. It took around two hours. It’s black and blue and shaded. Now I look like a real bass player. It matched a tatoos of a peace symbol, that Christi got on her arm in the same spot, during my absence. Peace through music. Or something. I came back for Tennis Roberts rehersal. We waited around for Ed to show up and then called him and went for Pizza. We called him back after Pizza and he said he was too tired to practice, so we played as a trio for maybe an hour. the mics were still set up from flute back practice, so I tried singing and playing bass for a while. “New tatoo. Black and blue.” Not good at making up words on the fly and really not good at multitasking singing and playing at the same time, but I think I could get it with practice.
Tiffany came home and was tired, so we quit playing. Everyone left. Christi and Tiffany went to bed. I posted in my blog. I was instructed by the tatoo artist to take a hot shower, so I will go do that now. Then bed.